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Editorial
Amazon.co.uk Review
A more accessible and less heavy-handed movie than Ang Lee's 2003 Hulk, Louis Leterrier's The Incredible Hulk is a purely popcorn love affair with Marvel's raging, green superhero, as well as the old television series starring Bill Bixby as Dr. David Banner and Lou Ferrigno as the beast within him. Edward Norton takes up where Eric Bana left off in Lee's version, playing Bruce (that's the character's original name) Banner, a haunted scientist always on the move. Trying to eliminate the effects of a military experiment that turns him into the Hulk whenever his emotions get the better of him, Banner is hiding out in Brazil at the film's beginning. Working in a bottling plant and communicating via email with an unidentified professor who thinks he can help, Banner goes postal when General Thaddeus "Thunderbolt" Ross and a small army turn up to grab him. Intent on developing whatever causes Banner's metamorphoses into a weapon, Ross brings along a quietly deranged soldier named Emil Blonsky (Tim Roth), who wants Ross to turn him into a supersoldier who can take on the Hulk. The adventure spreads to the U.S., where Banner hooks up with his old lover (and Ross' daughter), Betty (Liv Tyler), and where the Hulk takes on several armed assaults, including one in a pretty unusual location: a college campus. The film's action is impressive, though the computer-generated creature is disappointingly cartoonish, and a second monster turning up late in the movie looks even cheesier. Norton is largely wasted in the film--he's essentially a bridge between sequences where he disappears and the Hulk rampages around. As good an actor as he is, Norton doesn't have the charisma here to carry those scenes in which one waits impatiently for the real show to begin. --Tom Keogh
Dumbed-down generic action movie
Review date: 2008-11-22 Rating: 6 out of 10
With the two modern entries in the Hulk franchise viewers will largely fall into 3 categories - 1) people who prefer this Ed Norton vehicle to Ang Lee's 2003 Hulk because the latter was "too arty" whereas this is more of an action movie; 2) people who prefer the Ed Norton/Louis Leterrier project because it is closer in style to the 1970s Lou Ferrigno TV series; 3) people who prefer the Ang Lee experiment because it drew its influence more from the paper source material and generally felt like a more-rounded movie.
I fall firmly into the third category, although I came into The Incredible Hulk (2008) without any predefined opinions, simply hoping that it would live up to the first film. I was aware that Marvel had decided to distance itself from the 2003 outing with its reboot because the former had received mixed reviews for being too cerebral and too long and because it had not performed as well as expected in the box office. With the promise of an extended CGI-heavy climax, it was evident that the new direction would lead viewers down a more action-led route, however, in taking this approach and deliberately keeping the running time to under 2hrs, something important has been lost - characterisation.
Ultimately, the Hulk character suffers a massive flaw - being that this not-so-jolly green giant is all but invincible, it makes him something of a one-trick pony ("Hulk smash!") so it is important that you sympathise with the mild-mannered alter-ego. In the case of Eric Bana's Bruce Banner, sufficient time was spent getting to know the character and you came to develop an emotional bond with him. Not so with Ed Norton whose interpretation feels more like a parody and the opening "last time on "Hulk"" sequence does little to help. The pacing of the film only serves to reinforce this sentiment - in trying to please action fans by having the Hulk appear within the first 10mins you remove all sense of peril from Banner's character. He may be chased through Brazilian favelas by a crack assault team but in the end you know that no harm will come to him. There was a clever attempt to instil a sense of danger through the use of a heart monitor where a pulse of over 80bpm denotes an imminent transformation - something the protagonist wants to avoid (well, he says he does but you don't particularly feel that he cares either way). At the end of the day though, this technique was employed more effectively with Keanu Reeves on a bus; the heart rate premise has no time to build up - it happens almost immediately - so all the potential of this cinematic device is squandered, like opening the oven too soon when making a soufflé.
Aside from this, the supporting characters do little to engage. Liv Tyler pouts and whines and looks distressed but again doesn't seem as committed to the Betty Ross role as her predecessor, Jennifer Connelly. Tim Roth does a good turn as Emil Blonsky (and, crucially, does not attempt an American accent) and possibly gets the most laughs out of the mediocre screenplay. As an enhanced human his character actually presents the Hulk with an interesting counterpart - a monster in the form of a man fighting a man in the form of a monster. When he transitions to the `Abomination', however, there is a return to the sense of futility inherent in characters that cannot die. The much-publicised climax between the two creatures boils-down to a wrestling match where the winner is simply whoever gets tired last - there is nothing particularly original in this sequence and that's a shame because you already know who's going to win so you just end up watching 2 CGI creations hitting each other with CGI props. It all seems a bit pointless, which might not have been the case if the effects were awe-inspiring but, like the characterisations, they remain underdeveloped and simply middle-of-the road. When your title character is reliant on this technology you really need to deliver the goods.
At the end of the day, The Incredible Hulk feels like an excuse to get the character on screen in preparation for an Avengers movie where his role has the potential to be used more effectively. Ed Norton seems bored, Liv Tyler looks lost and only Tim Roth seems to be having any fun. It gets 3 stars because it is a perfectly passable action movie but, in trying to emulate the (somewhat trite) TV series, Marvel has done little to tell us more about the Hulk character. In this regard, Ang Lee succeeded and, ultimately, this was reflected at the box office:
Hulk (2003) opening weekend: $62m
The Increduble Hulk (2008) opening weekend: $55m