In the second episode, "The Convention," Michael tries to get the party started at the Mid-Market Office Supply Convention ("fun jeans"), and ends up revealing his insecurity about Jim's (John Krasinski) decision to move to Stamford. It leads up to "The Coup," where Dwight meets with Michael's Boss Jan (Melora Hardin) in a misguided attempt to take control of the office. The merger of the two offices into the Scranton location provides the fuel needed to continue the Jim and Pam (Jenna Fischer) subplot as Jim returns with his new girlfriend, Karen (Rashida Jones) who also transferred, and with Pam no longer engaged to Roy, the tension among them increases significantly. Other major plot points this season include: Dwight shows his true feelings for Angela in an excellent climax to one of the funniest subplots on the show; Michael negotiates a raise after learning he barely makes more than his subordinates; new office suck-up Andy is forced into anger management classes; and finally, in what may be the most bizarre company retreat in history, a day at the beach ends with Pam revealing her true feelings for Jim in front of the entire office. The season wraps up in unpredictable fashion when Karen, Michael, and Jim all travel to headquarters to interview for the same position. The strength of this season just continues to solidify The Office's place as the preeminent satire of today's cubicle culture. --Daniel Vancini
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Editorial
Amazon.co.uk Review
After a shaky first season of finding its footing, and a second season of establishing itself as one of the funniest shows on TV, the third season of The Office finds the show in its strongest form yet, thanks in large part to the addition of some new characters and stronger plotlines centered on office romances. A corporate merger brings the Stamford staff to the Scranton office of Dunder-Mifflin a quarter of the way through the season giving a nice boost to the season's arc of story lines, especially the addition of Andy (Ed Helms, another Daily Show alum in a role that seems custom made for him) who serves as yet another foil to Dwight (Rainn Wilson) in his unending fight for Michael's approval. As the season begins, the focus is more on Michael (Steve Carell) and his unique "leadership" style in the Scranton office. "A good boss gruntles the disgruntled," and despite his best intentions, he proceeds to somehow screw it up, as in the opening episode, "Gay Witch Hunt," in which he accidentally outs a gay employee.
Too good to just be a cult..!
Review date: 2008-09-15 Rating: 10 out of 10
This is a flat-out comedy classic. But what is it about British TV networks? Is their quality control so off-kilter, that they would force-feed the population hours of total crap, while hiding the truly transcendent stuff in some nether-world of night-owl TV scheduling?
As with Seinfeld on BBC2, Curb on More4, so it happened with The American Office. Buried by ITV2 in a spot where only insomniacs would have found it ( apart from a brief spell where they put it out at 7pm to try and compete with this DVD release of the same week ), The Office USA, is, as far as I am concerned, the next best thing if you've completed your Seinfeld or Curb Your Enthusiasm collections.
Season Three is a show that brings it's A-Game to almost every plot strand, and it's amazing how much they cram into every single episode. My favourite is perhaps the Joss( 'Buffy' )Weedon-directed episode, whereby Jim pretends to have been bitten by a bat. He suddenly becomes averse to daylight and allergic to garlic bread, in order to freak out Dwight, the office geek. Jim's underplayed, subtle impersonation of Bela Lugosi at the end, is pure comedy gold.
It's indicative of how much material goes into every episode, that the above-mentioned plot is not even listed on the episode guide. So i was unable to show it to visiting friends, as i had no idea which episode it was from. In fact, it is only in the incidental details where this particular box set falls short. The printed plot synopses are not exactly useful, and the fact that there are no subtitles, comes across as rather cheap, and stingy. ( No, I'm not deaf - but you try listening to a show where a lot of the dialogue is realistic and mumbled, late at night, without having the sound way up and annoying the hell out of everyone. And besides that, deaf people should be allowed to enjoy this, too..! ).
Both the aforementioned Seinfeld and Curb box sets had well-cued subtitling, and extensive extras and liner notes. This doesn't. However, i will say that the deleted scenes offer much more than you would expect. They are actually more like mini-episodes that must have been lopped-off simply for timing reasons, as the material is so strong that it's just as good as the stuff which makes the final cut.
My girlfriend and i would curl up every night for a fresh episode, only to end up having a marathon viewing session, but we couldn't help it. It's just so good.