Ably directed by the pedestrian Erle C. Kenton, The Ghost of Frankenstein gives up the gothic mood and moral quandaries of the original films for the busy, action-packed plots that defined Universal horror films of the 1940s. The human characters are all rather dull (except for Lugosi's animated, eye-rolling performance), and Chaney has none of Karloff's pathos or subtlety under the make-up, but the film opens with a spectacular bang as the villagers dynamite the castle, and skips from one inspired scene to another. The monster rejuvenates himself during an electrical storm with a jolt of lightning, mutely undergoes a courtroom cross-examination (by a ridiculously intent Ralph Bellamy), and finally goes on a blind rampage in the fiery climax. Frankenstein's monster returns (this time with Lugosi as the creature) in Frankenstein Meets the Wolf Man. --Sean Axmaker
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Editorial
Amazon.co.uk Review
The monster lives! Again! Picking up where Son of Frankenstein left off, Bela Lugosi's gnarled Ygor survives yet another rampage by angry, torch-carrying villagers and frees the monster (The Wolf Man himself, Lon Chaney Jr., taking over from Boris Karloff) from his sulfur grave. The latest cinematic Frankenstein scion, brain surgeon Ludwig (Cedric Hardwicke), wants to dissect the creature, but the ghost of his father convinces him to save it by giving it a new, "good" brain. Ygor has his own devious plan and enlists Ludwig's shady assistant (Lionel Atwill) in a brain-switching scheme.
Editorial
Synopsis
Dr. Frankenstein thinks his monster could be cured if he only had a normal brain, so with the help of Ygor, they try it again, from the top. But Ygor has his own plans.