What makes the picture fun for Dylan fans--and potentially frustrating for neophytes--is that every album and movie bears an alternate title. Ledger's Robbie, for instance, stars in "Grain of Sand," actually a reference to the Pete Seeger song. As in Haynes' glam rock reverie Velvet Goldmine, the trickery involves the entire cast. While Julianne Moore plays former lover Alice, a dead ringer for Joan Baez, Michelle Williams embodies elusive scenester Coco, i.e. Edie Sedgwick. If I'm Not There is less affecting than Control, the year's other big music film, it rewards repeat viewings like few biographical features. The soundtrack mixes originals with covers, like Jim James's heartfelt "Goin' to Acapulco." --Kathleen C. Fennessy
RRP: £19.99
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Editorial
Amazon.co.uk Review
Unapologetically audacious, I'm Not There is more post-modern puzzle than by-the-numbers biopic. A title card sets the scene: "Inspired by the music and many lives of Bob Dylan." Yet the film features no figure by that name. Instead, writer/director Todd Haynes presents six characters, each incarnating different stages in the artist's career. Perfume's Ben Whishaw, a black-clad poet, serves as a slippery sort of narrator. The action begins with the wanderings of an 11-year-old black runaway named "Woody Guthrie" (Marcus Carl Franklin)--his raucous duet with Richie Havens on "Tombstone Blues" is a highlight--and ends with a silver-haired Billy the Kid (Richard Gere) watching the Old West die before his eyes. In the interim, there's the folk singer-turned-preacher (Christian Bale), the actor (Heath Ledger), and the rock star (Cate Blanchett, who has Don't Look Back Dylan down to a science). The chronology is purposefully non-linear, and editor Jay ! Rabinowitz cuts rapidly, Jean-Luc Godard-style, between cinéma vérité black-and-white and saturated colour, Richard Lester-like slapstick and Fellini-inspired surrealism (Ed Lachman served as cinematographer).
Words fail, but not as much as the film...
Review date: 2008-11-25 Rating: 2 out of 10
A much more interesting and watchable film may have emerged if the Hayden Christianson 'Dylan' character from 'Factory Girl' was juxtaposed with Cate Blanchett's 'Dylan' character from 'I'm Not There'. The result might have been a lot shorter, but much more interesting.
As it is: Too long, often incomprehensible (even by Dylan's worst excesses), too much time on Richard Gere and the young boy (as talented as Marcus clearly is) and unbelievably boring. I wish my husband hadn't bought it for me, because I would feel guilty selling it off. But I can't bring myself to play it again, even with Blanchett being the only top-rate performance. Save your time and money.