Close plays Patty Hewes, an experienced and high profile litigator. She’s then joined by the eager, and considerably more wet-behind-the-ears Ellen Parsons (played by Rose Byrne), who fits into the role of her protégé. Damages then sees the pair fighting a bitter and prolonged case against Ted Danson’s high-profile and very rich businessman. Where Damages differs from many in the genre is that its first season effectively covers one single case (albeit with many, many strands), much as Murder One did all those years ago. And this makes for an increasingly layered and intriguing drama, with a healthy number of twists to keep you on your toes. The entire first season is presented in this Damages set, and very gripping it is too. Superbly acted by its cast of high and lower profile actors, it brings with it a real compulsion to find out what happened next. It’s where the DVD set comes in handy, as there’s no longer a week between episodes to get to the next part of the story! Damages may not have been the highest profile export from the States of late, but it is one of the very best. And this set is an ideal opportunity to find out what all the fuss is about… --Jon Foster
RRP: £34.99
Our Price: £10.00 (subject to change)
Editorial
Amazon.co.uk Review
Glenn Close continues the exodus of terrific movie actors and actresses who are finding the more fulfilling and meaty roles on the smaller screen. And with Damages, she’s struck gold in an engrossing legal thriller.
Editorial
Synopsis
Damages, the hot new legal thriller airing on BBC is set in New York's world of high stakes litigation. It follows the lives of Patty Hewes, the nation's most revered and most reviled litigator, and her bright, ambitious protégée Ellen Parsons as they become embroiled in a class action lawsuit targeting Arthur Frobisher, one of the country's wealthiest CEOs. As Patty battles Frobisher and his attorney, Ellen learns what it takes to win at all costs, and that lives, not just fortunes, are at stake.
Editorial
Synopsis
Set in the high-stakes legal world, DAMAGES explores the relationship between high-powered litigator Patty Hewes (Glenn Close) and her naive young underling Ellen Parsons (Rose Byrne). Swept up by Patty's camp, Ellen barely has time to catch her breath before being faced with a lawsuit that will challenge her preconceived notions of justice, fairness, and morality. Ellen will have to start learning fast if she wants to keep up with her fierce mentor, whose no-mercy approach to the law makes her one of the most feared and admired figures in the city. Loyalties will be tested and true colours revealed as a class-action lawsuit involving one of American's richest CEOs (Ted Danson) forces everyone involved to stand up for what they believe in. The show's first series is presented here in full.
Great start but then drops off towards the end...
Review date: 2008-08-25 Rating: 6 out of 10
The central premise of this series is rather weak (ie that a young lawyer is employed by a highly successful law firm just because she knows someone central to a big case) but, as with the first series of 24, the first half of this series is a thrill ride. The makers have used a clever plot device whereby most of the action takes place in retrospect but every now and then the action switches to the present day (filmed in a dark and grainy style) leaving you hungry to see how the characters end up as they do. But, as with the first series of 24, as the series progresses the twists and turns become more and more rediculous and harder and harder to accept until by the very end you really don't care what happens as long as it happens quickly.
The writers of the original series of 24 apparently had only written the first few episodes of the series prior to the first episode being screened which is why it fell apart so badly later in the series. Damages has a similar feel and I wonder if the same thing happened here. Instead of keeping the story simple and writing good character led drama with a focussed storyline, the writers have chosen to throw realism out of the window and keep the viewer on the edge of their seat. Unfortunately they went too far and left the viewer caring little for any of the empty characters on screen.
If you like 24 then I heartily recomend this. If you don't then I recommend The Wire Series 2.