Once again starring Cate Blanchett in the title role, Elizabeth: The Golden Age sees events pick up with her very well established on the throne. It’s a new set of problems and issues that present themselves, with the impending threat of the Spanish Armada, and the scheming Mary, Queen Of Scots (brilliantly played by the always-terrific Samantha Morton) foremost in her mind. That is, of course, apart from Sir Walter Raleigh, played by Clive Owen. Elizabeth: The Golden Age adds a potential romance for the virgin Queen, one that she struggles to come to terms with. And in the capable hands of returning director Shekhar Kapur, these many threads are woven together skillfully and a willingness to break the conventions of the period drama. The star attraction remains Blanchett again, of course, whose performance is just as striking and textured as it was nearly a decade before. Elizabeth: The Golden Age may have an impressive cast, but all of them must have known they were on a hiding to nothing going up against the majesty (in more than one sense) of Blanchett. Because while the film itself does have a problems, it’s still better than you may have been led to believe, and boasts a tour-de-force central performance that you simply won’t see matched very often at all. --Jon Foster
RRP: £19.99
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Editorial
Amazon.co.uk Review
Elizabeth: The Golden Age may not have been bestowed with a similar shower of awards (nor quite as glowing critical reaction) as its predecessor. But don’t be fooled: this is a terrific costume drama, and one that very much leaves you hoping for the hinted-at third installment.
An escapist piece of historical fiction
Review date: 2008-08-29 Rating: 8 out of 10
I came across my review of the first Elizabeth film, and thought I'd better follow up the sequel.
Firstly, I enjoyed the first film, accepting that it was historically 'a little off', and enjoyed it for the acting of the leads. It was a beautiful production, with superb shots of Durham Cathedral and the like.
Sadly, the director seems to have a fascination with church stone. From what I understand (remembering in part an interview someone gave), the stone contrasts with the fleeting nature of human life etc.
That's all very well, but it doesn't help to combat the issue of this being a very historically inaccurate film. Ely, Wells, Winchester and St John's Cambridge all look beautiful and are shot cleverly. The external scenes are also tremendous to see, and it is clear that this is a skilled team. The costumes are beautiful (I understand from an interview given by Blanchett, whenever the dresses were too large for the doorways, they would upsticks and find another cathedral...). The score is typical of this genre of film - good, clear, affecting.
At this point I must confess that I am a fan of Blanchett. Given that she is much younger than Elizabeth was for the most-part of this film, she still delivers lines in a way that most actresses would find difficult. As in the first film, she knows just how to portray the human insecurities of a woman, and when to drop her voice a couple of octaves when she is Queen.
This is an escapist piece of historical fiction. It is not as trashy as The Tudors (although Clive Owen, swarthy as he is, doesn't help). If you can stand the cathedral architecture dominating every scene (occasionally upstaging the lower cast), and you want to see some very fine acting by Blanchett, then do purchase this.