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Editorial
Amazon.co.uk Review
DVD sets don’t come more generous or well-intended than The Adventures of Young Indiana Jones: Volume One. George Lucas’ 1990s television series, inspired by his feature film collaborations with Steven Spielberg and actor Harrison Ford, used a childhood version of Jones as a catalyst for involving young viewers in the dynamics of 20th century history and thought. As much a scamp as Ford’s swaggering hero-with-a-bullwhip, little Henry "Indy" Jones (Corey Carrier) gets into a great deal of mischief in his travels around the world with his disciplined father, Professor Henry Jones, Sr. (Lloyd Owen, doing a credible version of Sean Connery’s voice from Indiana Jones and the Last Crusade). Also accompanied by his mother (Ruth de Sosa) and imperious tutor, Miss Seymour (Margaret Tyzack), Indy ends up in various unanticipated adventures with some of the most noteworthy individuals of his age. A trip to Paris finds him cavorting with young Norman Rockwell and an ultra-arrogant Pablo Picasso (who is out to prove that the style of aging Impressionist Edgar Degas is easy to forge). A stay in India lands Indy in the company of the great guru, Krishnamurti. In Russia, he feuds with Tolstoy as if the two were in a buddy movie. In Italy, Puccini puts romantic moves on Mrs. Jones, while Indy listens carefully in Vienna to definitions of love by none other than Freud, Jung and Adler. The overall effect of these handsome, feature-length stories, all shot on glorious location, is of a certain audacity--Lucas having the nerve to name-drop all over the place and situate Jones with some of the greatest achievers in world culture. But each episode is nothing less than spectacularly educational as well as entertaining. Scripts are carefully written to reflect what these famous individuals actually contributed to mankind, and to give a sense of what their personalities were like. The last three shows in Volume One find Jones at age 20 (played by Sean Patrick Flanery), now more or less on his own as he gets into various scrapes in Mexico (where he rides with Pancho Villa) and Ireland (where he meets William Butler Yeats). There is so much to glean from these stories, but even more to bask in on the set’s many special features, which include multiple, exquisitely produced documentaries about the historical figures, political and artistic movements, and crucial events that play into this series. This is a great set for kids (probably beginning at the late primary school level) and adults as well, preferably to watch together. --Tom Keogh
At long last...
Review date: 2008-12-03 Rating: 10 out of 10
I had been waiting for the DVD set of this for years to replace my vastly incomplete recordings from the TV as well as fill in some gaps. I fought the temptation to fire off a review after watching one disc and have instead waded my through it all.
Initially I was a little dismayed by the composite nature of the episodes: the conjoining of two episodes to make one 'film'. Coupled with that is the removal of Old Indy, it did not bode well. Previously I had thought either a strict chronological ordering of the individual episodes would have worked best. However, I can see Mr Lucas' reasons - it does cut down on the volume of opening/closing credits. The other way might have been to simply order the episodes as they had been aired. This might have ironed out the `Curse of the Jackal' gripe that other reviewers have noticed. As to Old Indy, for this first volume, I haven't missed him. But, I'm not sure how volume two will pan out: I remember, for example, in 'Petrograd July 1917' Old Indy's part is exceptionally good and if not crucial, certainly adds some tremendous gravitas.
As to the production, I do not find the inconsistencies in the actors' ages in the intermediate spliced sections that connect the original pairs of episodes annoying. To my mind, there is a charming ingenuousness here that leaves me feeling "well, good for you for trying to do this". It also helps indentify which sections have been added.
Volume one was always going to be the weaker draw compared to the second. Let's face it, Indy the Youth is far more interesting than Indy the Kid, who I had always found annoying. But I retract that having watched these volumes. Corey Carrier and S.P. Flanery do a fair job of consistency in mannerism - they both have the same shrug and puzzled, doubtful air. I sometimes do find the whole Scottish thing for Indy's father bizarre, though marvel at how the choice of Sean Connery in one feature film has dictated the whole direction of the series. In 'London, May 1917' Indy and Elizabeth Hurley vie with each other in a linguistic competition which Hurley wins with Welsh, saying how can someone with the name of `Jones' not know Welsh. How indeed? And how many Scotsmen have the surname Jones? However, Lloyd Owen is fine in this role, and for me the most enjoyable episode is the Greek one, where we get to see more of Owen as well as indulging a picaresque adventure in the sultry Greek countryside. The acting is a bit hammy, but it doesn't detract; even the clothes-eating goats which look suspiciously like sheep are acceptable if one suspends one's disbelief.
With regards to the extras, these have been done fairly well; that was until I got to 'Black Jack Pershing' - selective history to say the least. I appreciate that time is short, but why not mention his role with leading Afro-American troops (the bowdlerized origin of his nickname) and his participation in two of the U.S. Army's less worthy 'victories' of Wounded Knee (1890) and the Moro Crater Massacre (1906)? A bit more balance is needed. Likewise with the Irish Rebellion: looking at the list of contributors we doubt that we are in for an impartial account of what was a fascinating and important historical incident. Watch the extras but keep a pinch of salt near at hand.
Overall, a delightful series whose weaknesses are far outweighed by the positive things. I look forward to showing these to my sons (when they're a little older). The value of the educational aspect is that it gives viewers enough information to go off and do their own research if they wish. It deserves to endure and finally get the recognition that has so far eluded it.