A Twilight Zone styled voiceover introduces Dr Marvin Russell and his wife of two hours as they're buzzed by an overhead flying saucer--the first of many. When a translation device reveals the saucer-occupants' fiendish plan to take over the world, it's time for a good old army-alien punch-up. Cue screenfuls of avuncular patriarchs, loads of techno-flannel space-speak and plenty of gratuitous American-monument destruction. A by-numbers B-movie, this is only really notable for Harryhausen's stop-motion FX work--and though this, his fifth feature, isn't a patch on his later Technicolor masterpieces, his trick of demolishing facsimiles of recognisable landmarks is cited by many premier filmmakers as being hugely influential on their work. This is very much of its time, the saucer-people arousing few of the thrills engendered by his later creations (Sinbad's Cyclops, for example). And with Cold War fears now just a memory, the Ruskies, or rather aliens, can no longer prevail upon a zeitgeist of xenophobic paranoia for their power. On the DVD: Earth vs the Flying Saucers's black-and-white picture is clean and crisp in this anamorphic 1.85:1 widescreen transfer and the Dolby digital mono soundtrack is clear enough. The theatrical trailer will please fans of kitsch, as will the featurette "This Is Dynamation" produced at the same time as the first Sinbad movie. The real corker here though is the generously proportioned documentary "The Harryhausen Chronicles": narrated by Leonard Nimoy, it features a stellar cast of devotees (George Lucas among them) waxing lyrical about the influence of Harryhausen's films, and allows the man himself to ramble fascinatingly over clips of his filmic canon. If you're a fan, it's Harryhausen heaven. --Paul Eisinger
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Editorial
Amazon.co.uk Review
Notable neither for its director nor its stars, Earth vs the Flying Saucers has been given the widescreen DVD treatment rather because of its special-effects man, the legendary Ray Harryhausen.
'If they land on the White House lawn uninvited, we won't meet them with tea and cookies;'
Review date: 2008-09-25 Rating: 8 out of 10
----the above statement---lifted wholesale from actual dialogue within the movie itself-----sums up perfectly the overall tone of this lurid but luxuriating, epic opus from RAY HARRYHAUSEN.
Essentially a briskly bludgeoning comic-strip treatment [riddled with dubious 1950s Mc Carthy-style paranoia] the entertainment level never seriously relents, and the whole is a vigorously dynamic, one-off romp, in which RAY'S ingenious skills are utilized to novel, highly unusual effect: ie, the animated attractions are spinning saucers, with not a whiff of a 'standard' articulated model-creature.
I ntruiging use of actual mid-air carnage [in which there MUST have been some real-life casualties] are used as background plates to the animated mayhem, which perhaps raise some ethical questions as their suitability as 'entertainment', but overall, HARRYHAUSEN works true miracles of epic destruction on a shoestring budget, and even the wholly cheapskate scenes possess an inherent period charm which add greatly to the finished article, and there are several eerily-effective, atmosherically-lit setpieces, including a vast saucer docked on a midnight beachfront, and a forest-fire stagily done, but still the stuff of lurid pulp that I for one certainly appreciate.
MARLOWE'S performance is instilled of stoney-faced, macho-posturing bravauda, and his heroine composite opposite is a darkly dusky, beautiful 50s babette. What more can you ask for? A personal highlight in the HARRYHAUSEN canon; with characteristic vision stamped all over the splendid project; an impossibility in today's overstaffed Hollywood extravaganzas, which employ up to a thousand SPFX employees, to sterile, mind-numbing effect.
TERIFFIC FANTASY FILM.
The story line is entertaining, and the acting is not bad. The aliens are pretty low budget, which to new viewers will be funny, though obviously this was not the intention at the time.
There are none of the stupid gung-ho type charecters we get in such films now (Will Smith, I'm looking at you!), and there is a little more depth in terms of exploring the reaction to finding the existance of aliens.
Good family fun.
The film is so well-scripted that modern-day scifi epics ought to take notice and make a little more effort. Relationships are beautifully and organically interwoven, and the spectacular scenes of destruction are sublimely imaginative and astonishingly well-crafted, not likely to be forgotten any day soon.