Yet in spite of all of these names behind the camera, Superbad is powered by Jonah Hill, previously seen in mainly supporting roles, as the foul-mothed Seth. In conjunction with Michael Cera’s Evan, he bursts his way through a film that sees the pair of them trying to buy booze to go to a girl-filled party, before they go their separate ways to college. Hill and Cera are strong in their lead roles, and keep Superbad motoring even through its quieter moments. But the scene stealer has to be Christopher Mintz-Plasse as Fogell, or--courtesy of his fake ID--McLovin. When he encounters two cops, played by Rogen and Bill Hader, comedy gold swiftly ensues. Superbad isn’t as consistently funny as Knocked Up, and its running time may outstay its welcome a little, but it’s still a tough film to knock. It’s simple and straightforward aim, to sit on your screen and generate plenty of laughs, is comfortably achieved, and its rewatch value is high as well. Well worth a look. --Simon Brew
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Editorial
Amazon.co.uk Review
Superbad, for many, was the surprise hit of the year. Yet when you consider the comedy pedigree sitting behind the camera, perhaps it’s not that much of a turn up. Director Greg Mottola, for instance, cut his teeth on episodes of Arrested Development and the underrated US show Undeclared. Co-writer Evan Goldberg has credits on the US Ali G show, while his partner in scribe is Seth Rogen, star of 2007’s other breakout comedy, Knocked Up. And with that film’s director, Judd Apatow, also on the production team, it’s understandable to see where Superbad gets its quality from.
a masterpiece of the genre
Review date: 2008-12-04 Rating: 10 out of 10
The nostalgic end of high school movie genre is a small one, but full of both very popular and some equally high quality films (American Grafitti, Dazed & Confused etc.) and this is one of the very best.
Yes, it has some of the crudest jokes of any recent Hollywood comedy, but they are very funny indeed. It also doesn't end up as mawkish as 'Knocked Up', so you're saved from that film's poor finale.
Like most of these films though, the crude and sarcastic humour is actually hiding the nostalgia of the film-makers (and the long past 18 real target audience- these films aren't really about or for the age group they show on screen) for that brief period before the horrors of adult life impinge on all that's joyful and important in life.
I don't think I've seen a film in recent years that has got as close to the truth as this one for putting the relationships between teenage boys on screen. The ending is as emotionally loaded for me as the fade to white of 'Thelma & Louise' is to a wholly different audience.
The only thing better (and this is mostly because I'm British and from the part of the country that it's set in) is the TV show 'The Inbetweeners', which I recommend if you like this film.
As a t-shirt I saw recently said 'I am McLovin!'.