Our Price: £7.99 (subject to change)
Editorial
Amazon.co.uk Review
At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barrelled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man, while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set-piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker
When You Become Obsessed With the Enemy, You Become the Enemy
Review date: 2008-11-09 Rating: 8 out of 10
"Face Off" is that rarest of films, an intelligent and soulful action movie which is both excellent and bad in equal measure.
In fact, as far as I can remember, only "The Last Boy Scout" starring Bruce Willis was comparable; an exploration of the characters' humanity which was almost ruined by the usual clichés.
Aside from the slow-motion gun battle in which the young boy is listening to "Somewhere Over the Rainbow," almost all of the `Action' in this film is gratuitous rubbish. The metaphors are so blatant that they might as well be highlighted in neon. Even the plot itself is wildly implausible and full of gaping chasms. So in the end, the one thing that earned this film four stars was Nicolas Cage's incredible acting.
To be honest, as far as I'm concerned, John Travolta couldn't act his way out of a wet paper bag. But alongside his spectacular role as the terrorist Castor Troy, (a role which he pulled off magnificently but Travolta hammed up `til I wanted to cringe,) Cage's performance as John Travolta `Playing' Castor Troy was one of the best that I've ever seen.
Indeed, if it wasn't for Nicolas Cage, the film's message might have been buried. But thanks to his performance as the tortured agent who is given the identity of his nemesis, it should be clear to anyone who's actually paying attention.
"When You Become Obsessed With the Enemy, You Become the Enemy." In this case, literally.
After the murder of his son, the agent became totally obsessed with tracking down his killer. As one of the incidental songs states rather blatantly, the only thing that keeps him going is his desire for revenge.
He's long since ceased to be a husband and father to his wife and surviving daughter, throwing himself into his work to try and avoid his pain.
Even when he thinks that Troy is dead, he still can't let go of the guilt. But after spending a few weeks as the man who he's hunted for six years, seeing first hand what he's lost, what he's become and what is truly important, he's finally able to move forward again and get on with his life.