Faithful in many ways to the enjoyable, if derivative, 28 Days Later, this sequel sees original director Danny Boyle (who went off to make Sunshine instead) replaced by Juan Carlos Fresnadillo behind the camera(director of the excellent Spanish film Intacto). And Fresnadillo is an inspired choice, putting together a film that’s not bereft of flaws of its own, but one that proves to be an ambitious and surprisingly thought-provoking follow-up. Many of the building blocks are the same. Primarily set over six months after the Rage virus engulfed Britain, turning many of its inhabitants into deadly zombie-esque creatures in the process, the film this time though sees the American military arrive to help sort things out. Only things quickly go wrong, allowing Fresnadillo to mould a pacey, exciting and desperately enjoyable action carnival, that’s got a little more under the surface. Grounded by Robert Carlyle as one of the survivors of the virus, replete with his kids in tow, 28 Weeks Later skilfully navigates the labyrinth of sequel hell and really, really delivers. What’s more, it opens up the enticing possibility of a further sequel, and on the evidence of this film, that’s a very welcome thought. 28 Weeks Later, like its predecessor, isn’t a film for the faint-hearted, and wholesome family entertainment it absolutely isn’t. But it’s a very good, energetic horror movie, and far, far better than you might've originally given it credit for. --Jon Foster
RRP: £19.99
Our Price: £2.80 (subject to change)
Editorial
Amazon.co.uk Review
Put that cynical look away, because the critics were right. 28 Weeks Later really is a sequel that delivers, that expands on the original, and in many ways even surpasses it.
Fast flowing horror thriller
Review date: 2008-08-30 Rating: 10 out of 10
In the sequel to 28 days later, the rage virus has passed, the infected have all died and Americans come to England to restore the country.
28 days later showed the true ideology of horror, and British cinema at its best, and 28 weeks later outshines its predecessor with faster direction, closer looks at characters and a more action thriller typed genre to its plot.
Following on from the dramatic ideology of 28 days with the infected was brilliant, and we start by looking at another family who are hiding, in the complete darkness. The narrative never lacks, with the whole concept of danger keeping you on the edge of your seat all the way through. Not necessarily scary, but it will definitely play on your mind. The ending with the new stadium felt like a marketing promotion, but was still good to watch. The plot has action, suspense and drama, to make an ultimate thriller, with plenty of gory blood encoded for dramatic effect, which is helped along by stunning direction.
Danny Boyle's direction in 28 days was superb, unusual and different, particularly the opening sequences as the central character is alone in England, with the character a little man in a huge city. Fresnadillo's direction in this sequel is equally impressive, using similar shots to create the lonely and deserted effect. In contrast Fresnadillo's direction is faster and less focused, especially when the infected are involved, conforming brilliantly to the horror thriller genres. These films wouldn't have had the same impact if this style of direction hadn't been encoded, and is a film where you can really appreciate the atmospheric view of the situation.
Having Robert Carlyle (Trainspotting) star gave the film the extra credit it needed, with a fine performance as Don. He did exceptionally well, and gave a different and intriguing portrayal as a struggling family man.
Carlyle is helped along by stunning performances by all cast, but in particular Muggleton and Poots, who play Don's kids, two of the best young performances you will ever see in a British film, only behind Tom Turgoose in This is England.
28 weeks later is a fine sequel, fast and flowing, and though not necessarily scary, is a thoroughly entertaining British film.
8.5/10