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Editorial
Amazon.co.uk Review
"The love impulse in man," says a psychiatrist in Bringing Up Baby, "frequently reveals itself in terms of conflict." That's for sure. For a primer on the rules and regulations of the classic screwball comedy, which throws love and conflict into close proximity, look no further. A straight-laced paleontologist (Cary Grant) loses a dinosaur bone to a dog belonging to free-spirited heiress Katharine Hepburn. In trying to retrieve said bone, Grant is drawn into the vortex surrounding the delicious Hepburn, which becomes a flirtatious pas de deux that will transform both of them. Director Howard Hawks plays the complications as a breathless escalation of their "love impulse," yet the movie is nonetheless romantic for all its speed. (Hawks's His Girl Friday, also with Grant, goes even faster.) Grant and Hepburn are a match made in movie heaven, in sync with each other throughout. Not a great box-office success when first released, Bringing Up Baby has since taken its place as a high-water mark of the screwball form, and it was used as a model for Peter Bogdanovich's What's Up, Doc? --Robert Horton
Would you believe a Howard Hawk's film?
Review date: 2007-10-09 Rating: 10 out of 10
Bringing up baby is as described frantic, fast and noisy. You do not have time to get your breath. All the actors are at their best. There is a story line and a consistency that keeps this movie from being a bunch of one liners.
David Huxley (Cary Grant) is a paleontologist who has an important find. He crosses paths with Susan Vance (Katherine Hepburn) who is not all there but very witty. Susan has a secret "Baby", her pet leopard.
One of the themes is mistaking Baby for another more dangerous leopard that escaped from captivity. Many movies did this with black bags. However bags don't bite. And again every time Carry Grant gets mixed up with Katharine something inevitably goes wrong and this snowballs as the movie progresses. The movie moves fast enough that you may want to watch it again.