Jewison is woefully heavy-handed in his treatment of the fictionalised, absurdly villainous detective (Dan Hedaya) who zealously plots to keep Carter in jail, and anyone familiar with Carter's story may object to the film's simplified account. But what matters here is the shining star of hope that is Lesra (Vicellous Reon Shannon), the Brooklyn teenager who rejuvenates Carter's legal battle in the early 1980s. This surrogate father-son relationship is what revives Carter's hope for family and future, and makes The Hurricane so engrossing and emotionally effective. Lesra's real-life Canadian mentors are compressed from nine characters to three, but their efforts are superbly dramatised, and Jewison hits the small but important grace notes that make a good film even better. By its final scenes, The Hurricane conveys the rich, rewarding satisfaction of surviving a difficult but valuable journey of mind, body, and soul.--Jeff Shannon, Amazon.com
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Editorial
Amazon.co.uk Review
In his direction of The Hurricane, veteran filmmaker Norman Jewison understands that slavish loyalty to factual detail is no guarantee of compelling screen biography. In telling the story of boxer Rubin "Hurricane" Carter--who was wrongly convicted of murder in 1967 and spent nearly two decades in jail--Jewison and his screenwriters compress time, combine characters, and rearrange events with a nonchalance that would be galling if they didn't remain honest to the core truth of Carter's ordeal. Because of that emotional integrity--and because Denzel Washington brings total conviction to his title role--The Hurricane rises above the confines of biographical fidelity to embrace higher values of courage, compassion, and ultimate justice.
Hurricane
Review date: 2007-12-16 Rating: 10 out of 10
This film will change your life. If you ever feel low and that life has dealt you some cruel blows, you have to watch this. Nothing you have been through can compare to this and who can have the strength to deal that all Hurricane had on his plate? An innocent man with a shining future in boxing, he was to spend most of his life in jail for a crime he did not commit, all because of the intense hatred of one man. And if you ever feel that you are too insignificant to make a difference, see how one young boy changed what no one else could, with his love, his fire and his determination. You will cry, you will cheer, and you will be glad you have the life you do.
On a pure dramatic film basis this is perhaps one of the best ever portrayals of a tortured soul I have ever seen. Denzel Washington is simply spellbinding as the tragic Carter and produces one of the finest ever film performances in recent years. Apart from the wonderful solo scenes he also works brilliantly well with Vicellous Reon Shannon, who plays Lesra Martin, the young student who becomes the catalyst for Carter to once again fight for his freedom.
There are so other great supporting roles from the rest of the cast including all three of Liev Schriber, Deborah Kara Unger and John Hannah who play the three guardians of Lesra. And great to see Clancy Brown again, and this time playing a nice prison guard as opposed to his usual roles!
After watching the film it was slightly disappointing to find out however that the director had taken great liberties with the "true" story and although the film does contain a "disclaimer" at the start it was still unsatisfactory to discover that perhaps Rubin Carter wasn't the total innocent soul the film portrays. That said it does explain some of the more disjointed scenes in the film but doesn't excuse them. Both the scene when Carter as a young boy stabs the white man and the scene when he returns from the Army to be immediately arrested by the waiting Detective Della Pesca are head scratching to say the least and stick out like sore thumbs. When you discover that Carter stabbed the man in a robbery and that Della Pesca was a completely fictional character you do feel slightly cheated.
As I say fantastic performance by Washington but a star lost for making Carter into an angel when making a film about him being a wrongly convicted devil would have been just as effective.