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Editorial
Amazon.co.uk Review
Danny Kaye spoofs Robin Hood and Scaramouche in this inventive slapstick swashbuckler. Portraying the clownish but good-hearted entertainer Hawkins, he infiltrates the court of the corrupt Basil Rathbone (up to his usual brand of cruel villainy) disguised as the legendary king of jesters, Giacomo. After a court sorceress hypnotises Hawkins into believing he is also a legendary assassin, Hawkins has more identities than he can keep straight, and Kaye zips back and forth between them at, literally, a snap of the fingers. Comic highlights include a wonderful sword fight with Rathbone in which he constantly switches identities, and the classic "chalice from the palace/vessel with pestle" wordplay as Hawkins plays "hide the poison" and forgets where it is. With comely Glynis Johns as his spy-in-arms love interest, Angela Lansbury as the scheming princess, and Mildred Natwick as the dotty spellcaster, this is Danny Kaye at his comic best. --Sean Axmaker, Amazon.com
The Vessel with the pestle has the brew that is true!
Review date: 2007-09-29 Rating: 8 out of 10
One of Danny Kaye's finer hours, this farce stands the test of time pretty well. Kaye was the Jim Carrey of his time - if you don't like his pratfalling style of physical comedy once, you won't ever like it - but even if not a fan of his particular brand of tomfoolery, the verbal patter alone is worth the price of admission.
The plot should be brushed over - it's intricate and daft as a good farce should be, revolving around mistaken identities and wooing the girl, and multiple characters up to nefarious deeds. Complications arise when Kaye tries to pretend he is the Jester, and is then hypnotised to believe he is a great swordsman and lover, and changes between identities at the snap of a finger. It is the wonderful script that makes the difference, particularly in Kaye's verbally dextrous moments. This is the movie that first did the `The vessel with the pestle has the brew that is true, the chalice from the palace has the pellet with the poison' sketch, which is still classic these many years later. However, there are plenty of other classic scenes such as `When the Doge did his duty and the Duke didn't, that's when the Duchess did the dirt to the Duke with the Doge.' speech, and any scenes with the incomparable Basil Rathbone - still the dashing figure and fencer even at 63.
Support from the brilliant Cecil Parker as the King and even Angela Lansbury as the King's daughter elevate proceedings to make this worth watching, as all of the cast are faultless in their comic timing.
In vivid Technicolour, and with a clean print and clear sound, this is a great buy - shame it is presented as a vanilla disc (no extras) but even so, worth acquiring for repeated viewing. This is the quintessential light hearted and high spirited swashbuckler spoof, with appeal to both kids and adults.
Danny plays Hawkins, a member of a group of forest rebels
who are protecting the infant heir to the throne from the
usurper King Roderick. To overthrow him Hawkins must infiltrate
the palace and court disguised as Giacomo, King of Jesters
and Jester of Kings.
Once within the palace, the somewhat timid and awkward
Hawkins is hypnotized by court enchantress Griselda (Mildred
Natwick) into believing himself to be a bold and fearless
master swordsman and cunning assassin. A finger snap is
Hawkins trigger to switch to his bold new persona,
and naturally the ensuing scenes have more inopportune snaps than a revival of West side story.
In these scenes Kaye displays rare comic finesse, switching
instantaneously between cringing incompetence and
swaggering, emboldened valor.
There is an impressive fencing scene with the villianous
Sir Ravenhurst (Basil Rathbone, often called Hollywood's
greatest fencer ever). After Rathbone hung up his Sherlock
Holmes deerstalker, he went on to perfect the character of
the elegant, aquilline evildoer. I always thought he deserved
a knighthood for real.
In another uproarious scene, Hawkins entertains banquet
guests with the complex, dazzling word-play of "The Jester's lament", because "...a Jester unemployed is nobody's Fool."
The opposition faction is anxious to knight Hawkins
so that they can kill him properly in tournament. To this
end there is a farcical, warp speed knighting ceremony
that kids just adore. If any scene can cause them to utter
such unthinkable blashpemies as,"This guy is almost as funny
as Jim Carrey!" this will be the scene that does it.
Yea, verily, yea.
Angela Lansbury is the bored, restless Princess
Gwendolyn the Fair, who dallies with Hawkins to escape
an unwanted betrothal. And back in 1956, the comfy auntie
from "Murder, she wrote" was what is generally called a
major babe.
But Hawkins true love is fellow resistance operative
Maid Jean, played by luscious, warbly-voiced Glynnis Johns.
Cornered by an amorously inclined King Roderick, Jean
cleverly extricates herself by referring to the recent deaths
of her entire family from the dreaded Breckenridge's Scourge,
impishly recalling how,"I saw their swollen, twisted,
pain-ridden bodies writhing on the floor in agony. But let
us not spoil this moment. Kiss me, Sire!" For the rest of
the picture he recoils automatically at the sight of her."
The tournament is a sort of David and Goliath encounter,
only with silk pennants and cup bearing pages. Hawkins is
not optimistic about his chances of prevailing against the
"...grim, grisly, gruesome Sir Griswold" played by burly
Robert Middleton. But the sorceress levels the playing field
considerably by putting a pellet of poison in the chalice
from the palace. Or was it the flagon with the dragon...?