As usual with these movies, sequences come to us in non-chronological order, and it's up to us to piece it together. You can guess where the film is going, but the slow trajectory toward its final sequences is surprisingly involving. The movie was widely panned upon its release, which says more about the presumption of the law of diminishing sequel returns than the film itself--it's a decent little horror flick. --Robert Horton
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Editorial
Amazon.co.uk Review
The Grudge 2 is a spooky installment in Takashi Shimizu's hardworking Ju-on/Grudge series of horror pictures. It doesn't carry the disorienting thrill of the very first Japanese Ju-on features, but it's a lot creepier than anybody could have expected. The story picks up from the end of the first Hollywood version of The Grudge, and has nothing to do with Ju-on 2, Shimizu's Japanese sequel. Sarah Michelle Gellar returns (a distinctly supporting role) as an American woman traumatized by her experiences with a haunted house in Tokyo; younger sister Amber Tamblyn flies over to help out. This particular storyline doesn't have much meat on it; the murder house is still there, and people who go inside have a disconcerting habit of dropping dead. Fortunately, two other plots thread into the basic one: a group of American schoolgirls in Tokyo become intrigued by the legend of the house, and some Chicago apartment dwellers are unsettled by domestic anxiety and the weird sounds coming from next door. (This storyline, featuring Jennifer Beals, gives the film its extremely satisfying opening sequence.)
One of the scariest films I've seen in a long time...
Review date: 2008-07-16 Rating: 8 out of 10
It's true that sequels are often a poor echo of the original film, and I was expecting as much from the Grudge 2. But I have to disagree on this one - I thought the level of suspense and terror was as high, if not higher than the first Grudge film - this had our nerves in shreds! The dark, jarred atmosphere is honed to perfection in a film oozing cynical pessimism and hopelessness.
Some of the visual tricks we might have seen before - the sudden, jerky movements, for example - but they work well and never fail to horrify. The director expertly plays on movements and atmospheres that just seem 'wrong' and unnatural to the viewer, and all the more terrifying for it.
In terms of continuity it follows on well, developing the original Grudge storyline, answering questions and filling in gaps. Saying that, it made sense to a friend who had not seen the first film, so all in all it makes for a good night in hiding behind the sofa!