Acknowledged by director Susan Seidelman as a huge influence on her own hit film Desperately Seeking Susan (1985), Celine and Julie Go Boating was Rivette's greatest commercial and critical success - its freewheeling, playful spirit still capturing the imagination of new audiences today. Extras New filmed introduction by Jonathan Romney on Rivette and Celine and Julie Go Boating Toute la memoire du monde (Alan Resnais, 1956, 20 mins, English subtitles) The Haunted Curiosity Shop ( R W Paul, 1901, 2 mins, silent) Illustrated booklet including a review by Tom Milne; interviews with Dominique Labourier, Juliet Berto and Jacques Rivette; Susan Seidelman's reflections on her Rivette-inspired Desperately Seeking Susan; director biography.
RRP: £19.99
Our Price: £7.98 (subject to change)
Editorial
DVD Description
Rivette's rarely seen yet biggest commercial hit, is an exhilarating combination of the themes of theatricality, paranoia and la vie parisienne, all wrapped up in an extended and entrancing examination of the nature of filmmaking, and film-watching. Celine (Juliet Berto), a magician, and Julie (Dominique Labourier), a Librarian, meet in Montmartre and wind up sharing the same flat, bed, finance, clothes, identity and imagination. Soon, thanks to a magic sweet, they find themselves spectators, then participants, in a Henry James-inspired 'film-within-the-film' - a melodrama unfolding in a mysterious suburban house with the 'Phantom Ladies Over Paris' (Bulle Ogier and Marie-France Pisier), a sinister man (Barbet Schroeder) and his child. The atmosphere, however, is more Lewis Carroll, with Juliet Berto and Dominique Labourier as twin Alices. The four main actresses improvised their own dialogue in collaboration with Rivette and scriptwriter Eduardo de Gregorio.
Editorial
Synopsis
Acclaimed 1974 French flick directed by Rivette.
Soft, strong and very, very long.
Review date: 2008-02-02 Rating: 10 out of 10
Even by the French New wave's standards, director Jacques Rivette's films come across as, shall I say..'Unique'.
Which is probably the reason he isn't as well known as the other New Wavers, such as Godard and Truffaut.
Yet surely fans of the French New Wave are actively looking for films that are a little strange and obtuse aren't they? If that person is you, then I wholeheartedly recommend that you give this film a try.
Celine and Julie meet for the first time at Montmartre. They suddenly end up sharing everything, life, flat, fiance, job, everything. On discovering a magic sweet, they find themselves participating in a film within a film. A young girl has been murdered and the duo must piece together the clues to find the culprit and save the girl. (if that plotline isn't the embodiment of genius, I don't know what is).
Apart from the baffling, magical plot, Celine and Julie works due to the natural chemistry of its leading ladies, Dominique Labourier and the late Juliet Berto. Just watching them impersonating each other during several awkward moments is a joy to behold.
But what resonates most is how Rivette's camera seamlessly enters these characters lives. The viewer almost becomes a third member of this team. As they piece together the plot, we are just as confused as they are.
Then there are the visuals. All hazy loveliness and sweet dreams, this is a place that lies somewhere past the end of the rainbow.
They sure don't make them like this anymore.