Johnny Depp's Constable Ichabod Crane warmly emulates the mannerisms and enunciation of Peter Cushing. In a prologue scene Burton plays out a long-held fantasy by pitting Depp against Christopher Lee. And it is fantasy that categorises the film throughout, from the mythical fireside telling of the Hessian Horseman's origin (a mesmerising Christopher Walken), to the bright spots of colour saturating Crane's childhood dreams (featuring Burton's real-life love Lisa Marie). These moments literally shine out amid a meticulously crafted look for the film, which underwent a bleaching process to tone things down to an almost monochrome hue. The Scooby Doo-like whodunnit plot, concerning family lineage and petty vengeance, is naturally secondary to what Burton is aiming to achieve through photography and performance, which includes expressive cameos from Michael Gambon, Michael Gough, Jeffrey Jones, and Iain McDiarmid. Yet despite all these subtleties, it's also his best action movie: the swordplay betters anything from his earlier work, while the windmill escape and subsequent coach chase is truly breathtaking in choreography and execution. If you find a cheesy grin on your face for most of the film, you've "got" it. If not, see Hammer's Dracula at once! --Paul Tonks
Our Price: £6.99 (subject to change)
Editorial
Amazon.co.uk Review
The secret to "getting" Tim Burton's Sleepy Hollow is appreciating that it's the film he's wanted to make his whole life. After the intimately expressive Edward Scissorhands, this is his most personal venture. Burton's Gothic style--apparent through all his work--stems from a childhood misspent watching the horror movies of Roger Corman, Hammer studios, and anything featuring his idol Vincent Price. For Sleepy Hollow Burton surrounded himself with his usual collaborators and friends; the production was almost entirely shot on location outside London to reunite him with key members of the crew he'd used a decade earlier in Batman, and also to capture the atmosphere of Hammer horror on its own turf.
Nowhere Near As Good As Some Reviewers Would Have You Think
Review date: 2008-09-19 Rating: 4 out of 10
This is the fourth collaboration between Johnny Depp and Tim Burton I have seen (the previous three being Sweeney Todd, the Corpse Bride and Edward Scissorhands) and I can say without an instance's doubt that it is easily the worst of the four. In fact, if it were not for Johnny Depp, then I would have stopped watching half an hour in to this poor excuse for a film.
Lets me quickly outline the plot. Constable Ichabod Crane (Depp) has been called to the town of Sleepy Hollow to investigate the unusual murders of certain town folk, where they have had their head cut clean from their body. The town widely believe that the murders are being carried out by a headless horseman, but Crane is doubtful and wants to investigate further.
Sound good? Trust me, the film's nowhere near that interesting. What I found really hard to get over was - what was this film meant to be exactly? The soundtrack would have you believe it's a scary horror - as would all the blood, headless corpses, skulls, torture weapons, y'know what I'm talking about, anything to build up atmosphere and suspense. But it fails, because this film just isn't scary, it isn't even gory (the blood looks ridiculously fake), in fact, I'd say it was Burton's aim to make us laugh, except there aren't even any jokes in the film. The special effects are just plain weird, and apart from Depp and Miranda Richardson the acting on whole is pretty dire. Christina Ricci may look the part but she cannot act, and the two child actors are just as dire (as is Lisa Marie as Ichabod's mother). It's surpirsing for a film to have so many badly acted parts, and I can only put this down to the fact that actors were chosen for appearence first, and acting skills second. Well, whatever the reason, one things for sure - whoever was in charge of the auditions seriously messed up.
Another problem of mine with 'Sleepy Hollow' is how hard it is to follow what the hell is going on. Ichabod Crane seemed to come to conclusions regarding the investigation as if from nowhere (Oh look, a chemical reaction, the head was cut off in a single blow. This women was pregnant, the murderer must be a mad-man (you don't say!). Oh look, a tree with decapitated heads stored inside - this must be a portal to hell). Whaaaat?! Does Burton really assume that his audience is too thick to realise how ridiculous this logic is?
I am really dissapointed in this film. It was nothing like what I had expected, and a huge let down compared to the quality of other Johnny Depp and Tim Burton films. Do not be led astray by all these 5 star reviews - watch this film if you really want to, just don't expect the greatest film in the world. Or anything close.