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A Great Movie
Review date: 2008-04-16 Rating: 10 out of 10
There's a fair amount of stress at a small hospital outside of London, what with the buzz-bombs overhead, the staff falling in and out of love with each other, not to mention the fact that the patients and the staff are starting to turn up dead . . .
And so we are launched into what remains one of the best mystery movies ever made, GREEN FOR DANGER (the title is a clue, incidentally), a murder puzzle set not amongst a group Agatha Christie-ish stick figures, but wearied, ragged, basically decent people pushed close to their limits by war-time conditions and their own messy emotional entanglements.
It's one of those buzz-bombs that sends the local postman Joseph Higgins (Moore Marriot) to the hospital; also an air-raid warden, his shelter gets bombed and he winds up in the operating room to get his broken leg fixed up. But he dies before the operation even starts, having apparently had a bad reaction to the anesthetic. But then the head operating-room nurse, Sister Bates (Judy Campbell) announces to the staff at large during a hospital dance that Higgins was, in fact, murdered, and she has proof. Shortly after that, she turns up dead as well, very obviously murdered with a scalpel . . .
Which leaves us to ponder which of her colleagues might be responsible. The anesthetist, Dr. Barnes (Trevor Howard), who had some trouble when another patient died under anesthetic several years ago? The surgeon Mr. Eden (Leo Genn), who seems to be working his way steadily through the affections of every woman on staff, particularly the last Sister Bates?, or maybe it was one of the nurses, Esther Sanson (Rosamund John), whose mother died when a buzz-bomb landed on her house, or Fredrika Lindley (Sally Gray), who's engaged to Dr. Barnes but pursued by Mr. Eden, or maybe even Jane Woods (Megs Jenkins), who has a few secrets of her own . . .
Left to sort this out is Inspector Cockrill (Alistair Sim), who has a perfectly wonderful time rattling everybody's cages, such a good time that he almost misses a few vital clues along the way. This was the film that made Sim, until then mostly a stage actor, into a major player in films, and you can see why; he mixes the eccentric humor of the character (never overplayed) with a sense of real intelligence--you can believe that he's smart enough to solve the case and flawed enough to fumble his take-down of the murderer as well. And the praise should hardly stop with Sim (who doesn't even appear in the film for almost 30 minutes); the rest of the cast is wonderful here; Rosamund John is touching at the emotionally-delicate Nurse Sanson, torn with guilt, Sally Gray as Nurse Lindley, who had discovered that she has Power Over Men and hasn't the slightest idea what to do with it, Trevor Howard as her decent but short-tempered fiancee, Leo Genn as the womanizing surgeon who isn't really as heartless as he seems, and Megs Jenkins, one of the great wise-craking best friend types in film history. One of the tributes to both the script and the actors is that you find yourself wondering what happened to these characters AFTER this story ended; murder solved, perhaps, but their tangled little dramas go on, one suspects.