Credit for that must go to its lead actress. In the hands of a lesser talent, this is just the kind of movie that could descend into obscurity. But Jodie Foster, as always, injects her character with a believability and a drive that’s hard to resist, and here is no different. The plot sees her flying her late husband’s body back home on a commercial flight. As her and her six year old daughter settle down, Foster soon falls asleep, awaking to find no sign of her child, and no one who can even remember her being on the flight. Has someone taken her? Is it all in Foster’s mind? These are the questions the film circles, and for a good hour of its running time, it’s compelling Hollywood-style entertainment. The cracks soon appear when you examine the film more closely though, and it’s as if Flightplan is just as aware of that as everyone else. The decision therefore to keep the film moving at a good pace is a wise one, leaving the viewer free to switch their brain off and just enjoy the ride, without querying too much the glabrous script that rarely makes as good use of the premise as you’d hope. Yet the film still works. It may, after the credits have rolled, have failed to live up to its potential, and there’s a good hour of dissection waiting to happen afterwards. Yet, crucially, there’s also the best part of a couple of hours of good, solid entertainment in it for you too.--Jon Foster
RRP: £17.99
Our Price: £2.56 (subject to change)
Editorial
Amazon.co.uk Review
If you can forgive plot holes that you could drive the airliner of your choice through the middle of, then Flightplan is an effective, pacey Hollywood thriller, that somehow manages to hold everything together in spite of its challenging plausibility.
a bad plot and a few good performances in an average thriller
Review date: 2008-07-29 Rating: 6 out of 10
When waking up on a plane, Kyle Pratt finds her daughter missing, but no one can recall Pratt ever bringing her daughter aboard.
The plot outline sounded fantastic and with the excellent montage to open, I had very high expectations as I sat back and put my feat up ready to be entertained, but by the end, I simply felt confused and let down.
Jodie Foster (Silence of the lambs) stars as Kyle Pratt, and gives a good performance as the grief-stricken aviation engineer. And as good as she is, it is due to the script that lets the film down, with little and boring dialogue and an inconsistency that ruins what could have been a tremendous exciting narrative.
The plot is very inconsistent through many stops and starts in the event to try and track down the missing daughter. The plot and the pilots try and remain professional but come across as being slightly silly and very farfetched and unrealistic in its own context.
The use of the plane could have added more to the nausea of the genre but was poorly used. Though the wide space and dimension is sued, none of the timing and situation is executed as efficiently and exciting to justify the true meaning of the genre.
There is also a feeling of inevitability about who the villain is, but there are a few twists encoded to keep the viewers guessing. However these twists put me out of the plot and into another idea as to what was happening and made the plot muddled.
Despite the flaws in the plot, there is still a feeling of excitement as regards to what has actually happened to the child, helped along by some drastic measures. Like many in the claustrophobic thriller genre, there isn't much realism but still an ability to keep you glued to your seat to find out what has happened.
There are plenty of unanswered questions left hanging at the quite ridiculous climax, but there are good performances and an exciting feel that will keep you entertained to the end
7/10