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A brilliant insight into genius and the effect it has on those who have it
Review date: 2006-11-09 Rating: 10 out of 10
A labour of love; a fascinating exploration of 'what ifs'; a sobering insight into the life of one who had talent and then lost it - what is left?? Zefferilli's fiction of a mimed Carmen, using the voice of Callas from her early 60s recording, is the ultimate for Callas' many fans - but would have been fiction, a make-believe. The moral of the film is obvious: we must be satisfied with what we have, rather than seek more. Perhaps the ultimate test of genius is that we are left wanting more than we have got??
This film took a little time to get going, but then reached the level we have grown to expect from one of the greatest of our film directors. Fanny Ardant's performance was tremendous - why have we heard so little about her? And Jeremy Irons provided his usual rather cool and detached playing of a rather unusual type of impresario. But again, Callas was the real star: the greatest soprano of the last century.