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Subtle, Bittersweet and Moving
Review date: 2008-03-01 Rating: 10 out of 10
Junebug is a film that takes its time. It moves slowly through its simple narrative - a young woman who is newly married meets her husband's family for the first time while trying to negotiate an art deal close their home - and builds up its characters and their thoughts and feelings effectively.
Embeth Davidtz stars as Madeleine, an art dealer who marries George, a man from North Carolina. Six months later, she is trying to negotiate a deal with an eccentric painter from her husband's home town. The pair decide to kill two birds with one stone and visit the in-laws for the first time. This proves to be a daunting experience for Madeleine as the family seem uncaring about the visit and everyone apart from her awe struck sister-in-law Ashley (Amy Adams) is uninterested in her.
Ashley is nine months pregnant and ready to burst, although her husband Johnny does not seem to care about her or the baby. He is distracted and rude and it is soon revealed that he is still trying to pass high school - despite being married and in his early twenties - and get his diploma. Madeleine tries to help him but he soon echoes the rest of the family's feelings that she is an outsider trying to barge in to the family and flaunt her superior intellect and breeding.
The film is a wonderful snapshot of southern life and is so intimate and real that it is easy to forget that these are actors and not genuine people. The most realistic portrayal can be found in Ashley, who is played brilliantly by Amy Adams, who has recently found fame as Giselle in Enchanted.
The film centres around her wonderful supporting performance as the pregnant Ashley, who is married to the obnoxious and resentful Johnny. She is the heart of the film, always happy and smiling despite her husband - and the rest of his prickly family's - shortcomings. She is enchanted by Madeleine from the moment of her arrival, constantly asking questions and proclaiming that the two will be best friends forever.
Adams' was nominated for the Oscar for Best Supporting Actress for her performance but lost out to Rachel Weisz for The Constant Gardener. She is so endearing and tragic and seems to represent everything that the rest of the family would like to be: open, chatty and happy. It is a wonder that the film was not nominated for Best Original Screenplay too, as it is a skilful observation of life in a fragile family and a true gem of a film.
One interesting aspect of this film was that it was released on DVD the same day as it premiered in theaters. Was this an act of immediate availability or a stunt for attention?
George's mom, Peg (Celia Weston), rules the roost, and if Madeline overhears her verdict that George's wife is a dangerous combination of good looks and intelligence, well that is just too damn bad. Her husband, Eugene (Scott Wilson), does not have much to say and when he is not sitting in his basement carving wood he is trying to figure out where his Philips head screwdriver is hiding. Then there is George's younger brother, Johnny (Ben McKenzie), who stops working under his car so he can study the Cliffs Notes for "Huckleberry Finn." George has married his high school sweetheart, Ashley (Amy Adams), who talks more than every body else in the movie put together and is nine months pregnant.
Besides whether or not Madeleine can sign Wark, a decidedly eccentric fellow who dreams poetry and paints slaves with white faces because he claims he has never met a black man, the driving question of "Junebug" is whether chatterbox Ashley is for real. Madeleine is left to fend for herself with her new in-laws for most of the visit as she finds out what George was apparently happy to leave behind, and her chief strategy is to smile a lot and try and roll with the punches. But it is Adams, whose Oscar nomination for Supporting Actress was a no-brainer given all the critic awards she has received (including the special jury dramatic prize at Sundance), who steals this movie from start to finish. I have seen all five of the nominees in her category and I think Adams should win (not that she will, but she should).
Director Phil Morrison and screenwriter Angus MacLachlan have been working together since 1990's "Tater Tomater." With "Junebug" they bring together a bunch of characters and let them percolate. After all, this is the south and being in a hurry is not the way people are supposed to be living their lives. Through most of the movie we keep thinking that Ashley is some kind of joke; here she is, nine months pregnant, eating only a hot dog (boiled not grilled) with mustard (no bun) so she can watch her weight. But she is the character who has married into this family who has depth and heart, and who touches us the most in the end. When Madeleine and George return to Chicago, it is Ashley that we are sad to leave behind.