In lesser hands, Shopgirl could easily sink under a wave of clichés, yet Martin's script never lets that happen. Mixing in a gamut of emotions, and charting the highs and lows of romance, there's a searing honesty to it all that makes the film hard to resist. Martin and Danes both give excellent performances too, although Jason Schwartzman as Jeremy does have a tendency to overcook his part in what's primarily a quiet, diligent film. Yet without resorting to big grandstand moments or contrived situations, Shopgirl manages, with little fuss, to tell an intriguing story in a very warm manner.--Simon Brew
RRP: £19.99
Our Price: £2.96 (subject to change)
Editorial
Amazon.co.uk Review
Based on the novella by Steve Martin (who also pens the screenplay), Shopgirl centres on Mirabelle Buttersfield (played by Claire Danes), a lonely young woman working in the glove department of a vast department store. Working by day and occasionally spending time on her art at night, Mirabelle craves company, and that leads her to accept an offer of a date from Jeremy, a manic and slob-like character, and not one who's instantly particularly likeable. And then the very wealthy Ray Porter (Martin) comes on the scene. He too asks Mirabelle out, and the rest of the film follows her relationship with the two men who are effectively fighting for her affections.
A very pleasant and engaging surprise
Review date: 2007-12-07 Rating: 8 out of 10
Shopgirl is an engaging character piece that's shot with imagination and compassion and, while offering an inevitable and predictable ending still manages to leave you wondering just how it's going to get there. It's a gentle loving film that cares about its characters even while it concentrates on their flaws, and is graced by three strong performances: a very appealing Clare Danes, a wonderful slacker turn from Jason Schwartzman who finds great touches that aren't in the script (thank the lord that Jimmy Fallon dropped out!) and a very generous one from Steve Martin, who never hogs the limelight but keeps his distance while quietly drawing out his character's emotional limitations. Aside from its surprisingly strong visual sense and impressive use of the Scope frame, it's also great on the little throwaway details that cause the deepest pain in relationships - the key breakup is caused by a unthinking joke that is only insensitive in view of the characters' past history. There's also a fine use of third person narration by author Martin, used only at four points in the movie to illuminate desires and concepts that can't be comfortably fitted in as dialog or scenes that adds to the sad awareness of the piece. A very pleasant and engaging surprise.