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Editorial
Synopsis
A landmark in documentary feature films, this Academy Award-winning documentary is an insightful critique of the US's cataclysmic involvement in Vietnam. The film exposes the duplicitous nature of the American government, obsessive in its quest to squelch Communism and advance its own imperialist agenda, documented here in a media-savvy trail of propaganda ranging from archival footage, excerpts from press conferences, newsreels, and clips from jingoistic Hollywood war pictures. Director Peter Davis also uses damaging interviews (including disturbingly racist comments from US soldiers and General William Westmoreland), pop music from the period, and material he shot himself in Vietnam to create an indelible visual essay against war. Eschewing narration, the film has a cinema verite style, which gains its power from juxtaposition and the severity of its images. Released only two short years after the January 1973 agreement that brought home U.S. troops, the film stands as one of the strongest films condemning the war and the America's involvement in it. HEARTS AND MINDS's title derives from a now-infamous speech given by former President Lyndon Johnson in which he stated, 'The ultimate victory will depend on the hearts and minds of the people who actually live there'.
Bush and Blair
Review date: 2008-06-25 Rating: 10 out of 10
Its not difficult to fathom the motives behind the resurrection behind this documentary. Three decades after it won best Documentary Hearts and Minds serves not just as an outstanding example of the documentary's art but as a startling accurate, if inadvertent, prophecy of Americas Iraq misadventure.
The strength of Davis' subtle narrative- there is no voice over, and no presenter (a certain loud overweight American could possibly learn something from this technique) - derives from his understanding what a shambles the Vietnam War was. For this reason Davies avoids largely avoids anti-war voices, and instead interviews those who are for the war, banking that the foolishness of their views will undermine their own cause better than any peacenik could. Particularly visible is the late General William Westmoreland - probably the biggest idiot ever to have worn stars on his shoulders. Most damning of all are Davis' interviews with veterans. Asked if America has learnt anything from Vietnam bomber pilot Randy Floyd replies: "I think we're trying not to."
Robert Kennedy features in this documentary, and in a speech given by him shortly before his assassination he confessed that he (and JFK) got it wrong a few years before under JFK Administration on Vietnam.
At last somebody had the guts to come clean about the sainted JFK's mistake on Vietnam. Sadly as Robert Kennedy was assassinated shortly after, we'll never know if he would have become President and reversed the process his brother helped start.
American Joint Chiefs of Staff started Vietnam conflict with the help of the French; three weeks before his assasination JFK put in an order to bring 26,000 troops home from Vietnam by Christmas. He expected a complete pull out within a year. Less than a week after his murder LBJ signed an order to send more troops to Vietnam!
People who think Michael Moore was the first to scandalise with 'Bowling for Columbine' or are pointing towards the recent crop of films at 2006 Oscars ('Syriana','Brokeback Mountain' etc) as some sort of radical indicator have clearly forgotten this film. & to be fair - this is easily done as it's a documentary that must be too painful for an American to watch - I doubt if George Bush Sr's claim that the spectre of Vietnam was buried in the Arabian penisula circa the second Gulf War of 1991 (after the first of 1980-1988). Director Peter Davis and producer Bert Schneider created one of those moments when they outraged the old guard of Hollywood (Sinatra, Fonda, Hope et al) when accepting the award for Best Documentary they read out a telegram from the Provisional Revolutionary Government of Vietnam. Take it that America had ostensibly lost the Vietnam war, whether in the role of backers of the French there (as 'Hearts & Minds' reveals 78% of funding for the French there after WWII came from America- those cheese-eating surrender monkeys!), in the main war from the early 1960s to the general US pullout in the early 70s, or to the South Vietnamese force backed by the Americans - famously usurped in 1975. This was painful stuff - and 'Hearts & Minds' was really the first Hollywood product to get to grip with what had just happened. 'Hearts & Minds' started the process that lead towards such films as 'Coming Home', 'The Deer Hunter', 'Tracks', 'Apocalypse Now', the novel 'First Blood', 'Dog Soldiers' (Robert Stone), 'A Bright Shining Lie', 'Jack Knife', 'Platoon', 'Full Metal Jacket', 'Casualties of War' etc.
Davis' film is shocking, as unlike the media managed wars since the Pentagon did not embed/edit journalists and did not have compliant Fox-TV style propaganda. Watching 'Hearts & Minds' you think more of aspects of British documentaries on the present war in Iraq or Al Jazeera - the scene that both shocked me and typified the American adventure in Vietnam was that of the two US soldiers in a room with two Vietnamese girls who'd become prostitutes due to their occupation - this was cut with the vile image (borrowed for 'Platoon') of a G.I. setting fire to a Vietnamese village. That says everything about the foreign policy behind America in Vietnam - and unlike the majority of American works on Vietnam, 'Hearts & Minds' gives us an idea that the Vietnamese themselves are the greater victims (JG Ballard was correct that the greater tragedy of the Vietnamese loss is hardly touched upon by these self-gazing American films - 58,000 Americans were killed and thousands wounded. Set that against something between 3 to 4 million Vietnamese, tens of thousands in Cambodia and Laos & the fact that Nixon's secret bombing of Cambodia (referred to here) decimated that country- assisting the rise of Pol Pot and the genocidal Khmer Rouge).
'Hearts & Minds' is a raw history lesson, no wonder this has been sat on for years and rarely seen since the 1970s. Sadly it's a film that everyone should see to get the history of Vietnam - it takes a long cold look at that war and through a mass of archive/news footage (we see explosions and victims - which the Pentagon try to sit on these days) and inteviews with a myriad of perspectives we get an insight into this war. JFK, Johnson & Nixon all come out of this looking awful - a speech given by Robert Kennedy shortly before his assassination was shocking. Here was a politician who said he'd got it wrong a few years before under JFK on Vietnam - someone who had the guts to puncture the sainted JFK and say we must think again. Sadly as Kennedy was assassinated shortly after, we'll never know if he would have become President and reversed the process his brother started. Lyndon Johnson comes out of this terribly - his lies regarding the Gulf of Tonkin are countered by interviewees here - this fictional rationale which escalated that war is as dire as the fictional reasons Blair and Bush used to get their war with Iraq in 2003. Nixon meanwhile comes across terribly, whether shown telling outright lies as he makes speech or sweating as the Tricky Dick ostrich head is in the ground. Scary that Nixon's cohorts are now the neo-con cabal at the heart of the Bush Whitehouse...
'Hearts & Minds' is not a fun film - especially when you're shown what the Americans did to that country - it even touches on those that deserted the Army, went to Canada to avoid the draft & the vast anti-war movement. A divided America at war in a country based on dubious foreign policy - it's kind of obvious 'Hearts & Minds' is extremely relevant - I'd say Bush & co should have watched this & 'The Battle of Algiers' prior to the latest Iraq adventure. In fact, the interviews with normal Americans safely at home could have come from today - 'Hearts & Minds' is a key documentary that details the history and humanity of the Vietnam War. This film wipes away the propaganda of 'The Green Berets', Fox TV and all that jazz. The spectre of Vietnam was rebirthed in the Arabian peninsula too...