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Point Blank [1967] (REGION 1) (NTSC)
![Point Blank [1967] (REGION 1) (NTSC)](http://ecx.images-amazon.com/images/I/41q5bRVfNOL._SL160_.jpg)
The question is left in the air in John Boorman's modern film noir, a brutal revenge thriller based on Richard Stark's novel, set in the impersonal concrete and steel canyons of Los Angeles and the eerily empty cells of Alcatraz. Walker kills without remorse, guided by shadowy "informant" Keenan Wynn, whose own agenda is carefully concealed and assisted by Angie Dickinson as he desperately searches for someone, anyone, who can just give him his money. But if Walker is an extreme incarnation of the revenge-driven noir anti-hero, the modern syndicate has been transformed into a world of paper jungles and corporate businessmen: an alienating concept for the two-fisted, gun-wielding gangster. Boorman creates a hard, austere look for the film and scatters flashes of painful memory throughout the story, grafting the New Wave onto old genres with confidence and style. Haunting and brutal, Point Blank remains one of the most distinctive crime thrillers ever made. --Sean Axmaker, Amazon.com
Our Price: £8.85 (subject to change)
Editorial
Amazon.co.uk Review
Point Blank’s hero, Walker (Lee Marvin), strides through Los Angeles with the steely stare of a stone-cold killer, or perhaps a ghost. Betrayed by his wife and his best friend, who gun him down point-blank and leave him for dead after a successful heist, Walker blasts his way up the criminal food chain in a quest for revenge. Did he survive the shooting, did he return from the grave, or is it all a dying dream?
Relentlessly deadpan...and I'd buy a ticket to see the Mel Brooks version. Still, not bad
Review date: 2008-09-07 Rating: 8 out of 10
When his buddy, Mal Reese, with his wife, Lynne, looking on, puts two bullets into Walker right after they've high-jacked a big haul on Alcatraz island, Walker gets mad...and then gets even. Walker somehow survives those gunshots and a year later he returns. For the next hour and a half, Walker (Lee Marvin) is going to say once if he says it ten times, "I want my money back." The Organization is not about to accommodate Walker, even if Walker's money is only a measly $93,000. That includes Reese, who now has Walker's wife and who has become one of the Organization's top men, all of whom look like business CEOs. While Walker relentlessly goes after his money and works his way up the corporate criminal ladder, he leaves a trail of corpses behind. Walker is shrewd, violent and deadpan, and he won't take "No" for an answer. That sums up Point Blank.
It must have been tiring having to prove in life and in the movies that he really was the tough-as-nails, seen-it-all, uber-macho main man, part bully, part cynic. For me, Lee Marvin was at his best playing secondary character roles. As a lead, more often than not he simply brought more of the same to the screen, but in a larger frame. He was queasily watchable in, for instance, The Big Heat, Bad Day at Black Rock, Seven Men From Now and, much later with star billing but in a character part, Gorky Park. But it was just pow, smash, bang in most of his star vehicles. If he'd been more willing to break out of his star persona, he might have been a memorable actor, not just a star. He did a superior job in the one role where he deliberately took a big risk, playing Hickey in the American Film Theater's television presentation of O'Neill's The Iceman Cometh. He not only placed himself deep in a complex role, he was working with very good actors, notably Robert Ryan and Fredric March. Marvin did a fine job, but then immediately returned to the same old same old.
As for Point Blank, there's no doubt that John Boorman keeps it moving, throws in some perhaps unintended as well as intended irony and a lot of intended violence. He keeps the focus on the relentless Walker and Marvin doesn't disappoint. Point Blank also hasn't aged very well, in my view, even with Marvin's dynamically impassive (or impassively dynamic) performance, with the artsy clomp clomp clomp of Walker's shoes and Lynne's monologue with flashbacks as examples. A strong plus is the performances of the secondary characters, especially Carroll O'Connor and Keenan Wynn. With all that deadpan relentlessness, I just can't get out of my mind what Mel Brooks could have done with Point Blank.
The DVD transfer looks just fine. There is a commentary track which features John Boorman and Steven Soderberg chatting together, as well as a couple of shorts on Alcatraz. If you visit San Francisco, don't forget to save a morning or afternoon for the boat ride to the island and the tour of the federal prison. It closed in 1963 and is a grim and interesting place. For those who may not know John Boorman very well, he's a fine director who, for the most part, managed to make his films his way. I especially like Deliverance, Hope and Glory, The Emerald Forest and The General.
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Reviews
Brilliant!
Review date: 2005-12-14 Rating: 10 out of 10
The title is a play on words. The film starts with a point blank shooting and this sets Walker off on his trail of revenge, the substance of the film. However, in the final scene, when Walker can finally get his money back he backs away and leaves it so therefore the whole process has been pointless ie it was "point blank". A taut and brilliant film with an exceptional performance from Lee Marvin.
A Real Classic
Review date: 2005-08-13 Rating: 10 out of 10
Reece has taken Walkers $93000 part of a heist to pay back the mob. If that were not bad enough Reece has taken his wife, shot him, and left him for dead on Alcatraz, but Reece made a mistake......Walker is not dead!
The rest of the film has Walker moving up the mob chain after his $93000. A timeless cult film. Some really powerful scenes by Marvin......believe me, you wouldn't want to mess with this cookie! Sort of flashy, quirky, and very point blank. This guy doesn't mess around, and neither should you! Get this film!
a classic
Review date: 2005-07-11 Rating: 10 out of 10
this is definitely one of the best crime films ever made.
lee marvin does a great job here, playing walker a tough who has been shot and left for dead on alcatraz, betrayed by his best friend and wife who have have been having an affair together and run off with the loot. marvin strides through LA cause catastrophy after catastrophy all in the name of revenge and persuit of what is rightfully his.
despite being set in the 60's the movie is timeless, because intellegently portrayed the underworld not as old fashioned heavy handed thugs but as a maze like jungle of big business corporations and businessmen. this is probably indebted to the social upheavels that were taking place in america at the time such as vietnam, nixon etc.
movies like soderbergh's the limey starring terrence stamp owe some debt to this movie but can never repeat its brilliance.
Lee Marvin Masterclass
Review date: 2001-03-14 Rating: 10 out of 10
A hard, brutal film, as Lee Marvin takes revenge big time. Marvin carries this film from first to last - power, presence, cool, and very hard. John Boorman hits the big screen with a brilliant movie which is underrated and supremely cult. Hits you with images which stay with you. Worth watching just for the impact of Marvin marching down a corridor - it's that good. In my top ten no problem.
Product Details/Specifications
Actor(s):
Angie Dickinson
Keenan Wynn
Carroll O'Connor
Lee Marvin
Lloyd Bochner
Creators:
Lee Marvin (Primary Contributor)
Angie Dickinson (Primary Contributor)
Director(s):
Recording label: Warner Home Video
Manufacturer: Warner Home Video
EAN: 9781419807503
Binding: DVD
ISBN: 1419807501
Number of items: 1
Format: Black & White, Closed-captioned, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC,
Release date: 2005-07-05
Universal product code (UPC): 012569674141
Aspect ratio: 2.35:1
Region code: 1
Running time: 92 minutes
Theatrical release date: 1967-08-30
Language: English (Original Language)
Language: English (Subtitled)
Language: Spanish (Subtitled)
Language: French (Subtitled)
Language: French (Dubbed)