RRP: £19.99
Our Price: £5.98 (subject to change)
Editorial
Amazon.co.uk Review
For anyone who wants to catch a glimpse of the Los Angeles "lounge" scene that was in vogue during the early and mid-1990s, Swingers is the movie that virtually defined that brief but colorful nightlife milieu. As an added bonus, it just happens to be a very funny, observant story about love, loss, and male bonding among a group of friends who struggle to find decent jobs by day, and lurk through Hollywood's hottest nightclubs by night. A sort of latter-day Rat Pack, they include Mike (writer-actor Jon Favreau) and his closest buddy, Trent (Vince Vaughn), who are waiting for the big show-biz break that seems to be eluding them. Mike's twisted up about the girlfriend he left back East to pursue his going-nowhere standup comedy career, and Trent uses the word "money" as an adjective ("Man, we look totally money tonight") with such frequency that you may find yourself slipping into lounge-lizard mode after watching the movie. One of the most noteworthy indie-film success stories of the '90s, this time-capsule comedy seized its moment in the spotlight, launched several promising careers, and continues to maintain its lasting appeal. --Jeff Shannon, Amazon.com
I really, really like this film . . . but I don't know why.
Review date: 2008-03-31 Rating: 8 out of 10
I enjoy this quirky movie quite a bit, and get more out of it with each subsequent viewing. Okay, so it's got Vince Vaughn playing yet another semi-obnoxious lothario. It's got a displaced New Yorker who is -- SURPRISE! -- neurotic and whiny, something we've only ever seen in almost every single Woody Allen film (amongst others). It's got the Token Cool African-American Friend Who Doesn't Have That Many Lines. Yet at the same time, this was actually Vince's FIRST semi-obnoxious lothario role (which no doubt set him up for being cast in further such roles), and his character does redeem himself by being sincerely concerned about his friends, going above and beyond the call of duty to help them. The Neurotic Displaced New Yorker actually grows as a person with the help of his friends, and becomes balanced and likeable. And the Token Cool African-American Friend STAYS cool throughout the film without any over-the-top comedic cracking of the veneer during stressful moments.
The music is excellent, especially if you're into Swing, Big Band, and Jazz. I think it was the music (and the attendant anachronistic zoot suits) that caught my fancy on the first time through, and the plot and characters kinda grew on me in subsequent viewings. The excessive use of pseudo-hipster slang either enchants you or grates on your nerves; it's not a take-it-or-leave-it part of the film. Personally, if I hear anyone using "money" as an adjective ever again, my first response will be physical violence. And that's the ONLY reason I haven't given this film full marks. But it IS a fairly big reason for me.
Still, this is one of those films where the popularity and fan base started out slow and small but grew to cult status with exponential speed. Like most cult films, it's realistic(ish) and a Thought-Provoking and Irreverent Commentary on Aspects of Modern Society, but it's nowhere near as "gritty" as most cult films. In other words, it's in colour, it doesn't have a depressing ending, and there are no supremely wise taxi drivers dispensing zen-like wisdom. Also, not a lot really happens in the film, but it plays so much like the better kind of fly-on-the-wall Reality TV show that it's easy to get sucked into the (admittedly thin and rambling but engaging) plot. It's got loads of homages to other popular films, TV shows, and whatnot. It's very well-written, very well-acted by all involved, it looks really good, and (apart from hearing "money" and/or "baby" every 20 seconds) it sounds really, REALLY good. "Swingers" is one of those small, independent films which far outclasses most of the big-budget blockbusters, and launched a LOT of promising and successful careers. The behind-the-scenes documentaries are good for watching through ONCE, to get the stories behind the making of the film, but are so full of self-congratulatory back-slapping and gag-reflex-inducing mutual appreciation that you probably won't want to watch them ever again. The "Swing Blade" short film included in the bonus features, however, I could watch again and again and again until my eyeballs shrivel; it's hilarious!
However much fans of this movie rave about it (and I count myself as one of those), "Swingers" admittedly isn't going to be to everyone's taste. I would recommend renting it first to see if it's your kind of film, and if it is, THEN buy it. It's an exceptionally good kick-back-and-relax film to watch while downing a few cocktails, either alone or with your friends.
Well, Swingers fills that void. Instead of being a story about a group of guys getting into slapstick scrapes and unfeasible situations with women, like Old School or Road Trip, it goes deeper and has a more sensitive edge - but with a wicked wit that ever prevents it becoming sentimental.
The comedy is subtle and clever, having some of that uncomfortably realistic and awkward quality that made "The Office" so unwatchably watchable. Favreau and Vaughn's breakthrough performances create rounded characters that are right on the 'money'. Doug Liman (of later Bourne Identity fame) makes superb use of the low budget set up and borrowed locations to bring to life an atmospheric, cool but unglamorous Los Angeles, that is by turns unpretentious and overblown.
The real genius here, though, is Favreau's script, which contains the kind of true-to-life, quickfire, vernacular-filled dialogue that a group of guys can evolve amongst themselves. It will be easily recognisable to any chaps watching and the emotions expressed through it, ranging from anxiety over how best to chat up a girl to wondering why she hasn't called, will also be all too familiar.
Buy it. Oh, and get used to the words 'Money' and 'Baby'!