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A frustrating conclusion to a quality show
Review date: 2008-03-19 Rating: 6 out of 10
The third season of the involving 'Millennium' deserves neither the censure of those disappointed by its failure to live up to the ambitions of Season 2 nor the exaggerated praise lavished on it by Carter purists. It's still a strong show, powerfully written and directed and brooding gloriously with understated menace. Still, it is hard not to be disappointed with this season as the show's conclusion, as none of the urgency remains from Season 2 and too many episodes feel like unnecessary filler.
Chris Carter returns after handing over matters to Morgan and Wong during Season 2 (in my opinion, the apogee of the show's entire run) and appears unsure how to proceed with continuing the apocalyptic story. And for me, that is what the show was always about. But, clumsily, Season 3 tries to recapture the serial-killer-of-the-week format from Season 1 while trying to balance Morgan and Wong's story arc from 2 and, in doing so, completely loses all sight of what it's trying to achieve. The internecine struggles within The Millennium Group are now more or less ignored in favour of presenting The Group as entirely evil. Peter Watts' defection back into The Group's fold is never convincingly explained (he betrayed them for Frank at the end of Season 2) and their motives are frustratingly prosaic. Largely, I just felt the scripts had all been done before in Season 1 (and better too) and Season 3 should have been the culmination of the Millennium 'war' if you like.
All that said, Season 3 is pretty good on its own and some of the episodes (such as the heartachingly beautiful 'The Sound of Snow') are among the best produced. I would recommend to 'Millennium' fans that they at least see this, as there's much to enjoy. It's just ultimately let down by a limp conclusion (forget the X-Files episode of 'Millennium' - it doesn't do this show justice) and nothing is satisfyingly answered throughout. Whatever the reasons for this, it is hard not to finish watching this unique slice of television without wanting something more.
Carter thankfully returned for Season Three, allowing for the welcome departure of Morgan and Wong. However, there were certain elements of the second season that couldn't be ignored - most notably, Catherine's death and what the Millennium Group had become. As Season Three opens, Frank has severed his ties with the Group and has returned to the FBI as a consultant. Based at the FBI Academy in Quantico, he and Jordan have left Seattle and are now living in Fall's Church, Virginia. The transition hasn't been easy for the pair - Jordan still sets a place for Catherine at the dinner table, while its obvious Catherine's father blames Frank for her death. Frank has been attending sessions at the FBI Psychiatric Evaluation Office for five months and has made, it appears, significant progress. Although Frank's boss, Andy McClaren, is reluctant to assign him to cases, Frank is keen to return to work. McClaren is also very dubious about Frank's claims about the Group - he seems to believe they indicate, at best, a certain level of stress. In fact, McClaren in happy continue working with the Group in general and Peter Watts in particular.
In addition to McClaren, Frank's new circumstances bring a couple of other new characters. The most notable is Agent Emma Hollis, played by Klea Scott, who becomes Frank's new sidekick. She's a very likeable character who's had more than her fair share of kicks in her personal life - unfortunately for Hollis, some of these kicks play key parts in some of the season's stronger episodes. Unlike some of the other support characters "Millennium" has had - particularly Lara Means - Hollis is definitely an asset. When we first meet Emma, she's partnering Barry Baldwin, an ambitious, smug and snotty individual who suffers from a definite superiority complex. He features only occasionally, but in the early episodes it's very enjoyable watching Frank pulling the rug form beneath his feet.
While Carter's return to "Millennium" didn't see a complete return to what the show had been in Season One - nor could it have following Morgan and Wong' stewardship - Season Three is a drastic improvement on Season Two. Despite Frank's vow to bring the Group down, many of the episodes don't have a `Frank against the Group' theme. Some of the episodes are conspiracy-based, while others are plain, everyday, `normal' sort of crimes. Of the 22 episodes, there were only two I didn't really enjoy. "...Thirteen Years Later" was pretty poor - it was little more than a pastiche of the slasher movie, and was like something Morgan and Wong would've dreamt up. "Omerta" didn't do a great deal for me either - there was just too much Christmas cheer ! Some of the other episodes are excellent, though - some of the very best look into Emma's past. "Human Essence" sees Emma take a trip to Vancouver on family-related business, a trip that also threatens her career. The episode also sees some contributions from two other very well-known FBI Agents. Other episodes, like "Collateral Damage", give Peter Watts a chance to come out and play. (That episode also features James Marsters, who may be better known as Spike from "Buffy the Vampire Slayer" - Marsters was one of several notable guest stars the season had to offer). "Darwin's Eye" was also excellent, though the season really saved its best for last with "Via Dolarosa" and "Goodbye to All That".
Among the extras is a "Making of Season Three" documentary which, like the equivalent features on the previous seasons, is well worth watching. There were a couple of comments that I found slightly off-the-mark though. The decision to make the Millennium Group `evil' was essentially taken by Morgan and Wong in Season Two - remember what happened in that season's finale ? - and Frank's decision to leave the Group was really the most obvious thing to do. There was also a comment Lance Henriksen made about Frank and Peter Watts no longer being friends and, at times, there is clear friction between the two. However, looking at the last couple of episodes especially, it seemed to me that Watts bore Frank no real malice and the friendship may well have been alive on his part. If anything, the Group were a little more successful in manipulating Watts than they had been with Frank.
Overall, Season Three was a strong finish for "Millennium" - the improvement over Season Two can't be exaggerated. However, I'm sorry the show had to finish at all. There is a sense that part of the story remains untold - I do have some questions about what happened between the last episode of Season Three and Frank's visit from Mulder and Scully. (There's a `bonus' episode of the X-Files, where Frank makes a guest appearance). If only someone from Fox would authorise a movie or - even better - Season Four...