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One of the most remarkable TV series ever created
Review date: 2008-03-18 Rating: 10 out of 10
The second season of 'Millennium' has divided the show's fans as to whether it develops the themes set up in Season 1 or destroys them entirely but I can only see this part of the saga as the moment when it became truly groundbreaking TV. Anchored by Lance Henriksen's incredible performance as Frank Black, new helmers Dan Morgan and James Wong develop the show into an unsettling, clever, twisted and adrenalin-soaked experience.
Don't get me wrong, Season 1 is powerful viewing, but Season 2 simply builds on the themes the show originally presented and creates a signature series that leaves you utterly stunned by its quality. Whatever your feelings on Season 1, it is surely obvious that it began recycling the same formula in each episode and the serial-killer-of-the-week format started becoming redundant by the middle part of the series. I honestly don't think the show could have continued in this vein as it would have become rather stale. Morgan and Wong introduced a story arc, which the show needed, developed the existing characters, built on the supernatural suggestiveness (think 'Force Majeur' from 1) and focused more attentively to the shady Millennium Group; all of which served to create a more exciting and urgent atmosphere as the countdown to the Millennium itself begins.
I also do not agree that Morgan and Wong betrayed the show's roots: the bleak atmosphere remains and episodes such as the brilliant 'The Mikado' disturb you long after viewing. The central theme of man's innate darkness is also more than evident, only The Group are now the example being held up for scrutiny. Oh, and The Millennium Group don't go 'evil' as some people clearly seem to think: there are factions within the Group with different ideologies which adds a far more complex (and, in my opinion, believeable) layer to an organisation that operate behind closed doors. I think most critics of this season cite the 'comedy' episodes as an example of the supposed failings but I just cannot comprehend this. They are outstanding creations of dark humour and, though different to the recognised style of the show, add a refreshing direction. The only standing crticisms I would agree with are the X-Files-conspiracy-feel (though it is pulled off effectively) and Brian Roedekker being an utterly pointless and supremely irritating character addition.
A bold and brave development of an exisiting format that builds to a nail-biting apocalyptic conclusion and I am only saddened that Morgan and Wong could not return to finish the show in their vision. Season 3 is still watchable (in Millennium's unique way!) and I would recommend taking a look if you're a fan but ultimately it's a let down after the heights of Season 2.
With season one, Carter successfully created a murder-mystery show that was dark, could be disturbing and had a real sense of evil. Unlike "The X-Files", there wasn't anything 'unusual' about the show. Frank was not supposed to be a psychic, nor was his gift a form of telepathy - he was simply a very talented serial profiler who could put himself in the killer's head. However, for season two, Carter was a little too busy with the X-Files to take the same hands-on approach. As a result, Glen Morgan and James Wong were brought in as Executive Producers - the pair also wrote a substantial part of the season and changed the focus of the show entirely. If anything, season two became exactly what season one wasn't : rather than the dark murder-mystery show it had been, it morphed into a conspiracy-based, X-Files clone.
As the show's central character, these changes have a direct impact on Frank - one of the key changes centres on his ability. With season two, Frank's gift becomes firmly established as some form of psychic ability that can be passed from one generation to another. Frank's thoughts and comments are, at times, so surreal that he almost becomes Fox Mulder with wrinkles. It's also revealed that he's a big fan of Bobby Darin. This wouldn't have been a problem, only for Morgan and Wong's insistence on including Darin's songs in the show - a distracting and slightly irritating decision. However, it's what Frank did at the end of the season's opening episode - "The Beginning and the End" - that really had me scratching my head. His actions, in my opinion, simply didn't tie up with the character that was established in Season One - most obviously when compared with his behaviour in Season One's "The Thin White Line".
Season Two does reveal a great deal more about the Millennium Group. However, its role in providing consulting expertise to various law enforcement agencies now appears to be a front and it becomes a devious, manipulative organisation. As the season progresses, it focuses more on the Group's internal politics, and less on actual investigations - although, thankfully, Peter Watts now plays a greater role. A couple of new characters are also introduced. One, Lara Means, is essentially a female version of Frank - she is a Millennium Group candidate and has visions. Unfortunately, it seemed to me that none of the writers really had much of an idea what to do with her. Brian Roedecker, meanwhile, was an unnecessary and irritating addition and one that computer geeks everywhere will find offensive - think Jar Jar Binks without the merchandising potential.
While Season One was consistently excellent, I could only describe Season Two as patchy. I enjoyed some of the episodes a great deal - "The Curse of Frank Black" and "Midnight of the Century" take a peek into Frank's past, the former also having a nice Hallow'een twist to it. "Owls" and "Roosters", which deal with a near-civil war within the Group, are two very good conspiracy-driven episodes. Some episodes could've been just as good, but were let down by slightly weak endings - for example, "The Hand of Saint Sebastian" (an episode also hampered by Roedecker) and "The Mikado" (at last - a serial killer !). Others, however, seem like scripts intended for The X-Files, with only minor changes being made for this show. "Sirens" sees Frank behaving like Mulder, with Lara Means playing the Scully role. Lara subsequently switches sides, playing the Believer in "Anamnesis", while Catherine plays the Sceptic. (First broadcast five years before a famous bestseller by Dan Brown was published, it avoids beginning with a list of 'facts'. Brown's fans should enjoy it, all the same). A word of warning though - "Jose Chung's Doomsday Defence" and "Somehow Satan Got Behind Me" are abysmal and are best avoided.
Overall, I'd have to say I was a disappointed with season two. Morgan and Wong turned down an invitation to contribute to the 'making-of-season-two' documentary - a shame, as that might have helped me understand why the show changed so dramatically. Perhaps unfairly, I couldn't help comparing it with Season One. While "this is who we are" seems to have become a catchphrase for the Group's members, at times I couldn't help thinking "but this is not who you should be". If your likes include conspiracies and the X-Files, there'll probably be enough here to keep you happy. If, on the other hand, you're hoping for a continuation of the very dark murder-mystery show, you'll be disappointed.