1) "Magic in the Rocks", looks at the types of rocks where fossils can be found, from limestone, mudstone and sandstone to coal and amber. We travel from the Dorset coast to a quarry in Leicestershire then across the world to the Dominican Republic and Arizona and back to Glasgow and Edinburgh. We visit mines, petrified forests and swamps and laboratories where fossils are being extracted from their stony matrix, X rayed, cat scanned and manipulated in 3D computer cross-sections.

2) "Putting Flesh on Bone", explores what the animals looked like and how they behaved when they were alive. Some of the fossils are preserved in remarkable detail so that you can see the outlines of their flesh and the contents of their stomachs. Fur is clearly visible around a pterosaur fossil and the large breastbone suggests substantial flight muscles allowing powerful flight rather than just gliding. We visit the Smithsonian Institute where they have made a half-sized pterosaur model (large full-sized fossils can range from 35 to 50 feet wing-spans) to try to work out how the real giants of the air could fly.

3) "Dinosaur", provides the most familiar information. Dinosaurs have been 'done to death' by, seemingly, dozens of speculative and factual documentaries since David made this. But even if this episode is full of facts that have become familiar to us, it's better presented than most and still interesting.

4) "The Rare Glimpses", examines areas of the fossil record where information is sparse. We visit The Burgess Shales in British Columbia, Canada where there's a rare deposit of soft-bodied animals, the sort that don't usually fossilize. The animals of The Burgess Shale are beautiful, unlikely and bizarre. The most common creatures preserved 500 million years ago, were trilobites. But what did the trilobites eat and what ate the trilobites? The creatures that trilobites preyed upon and those that preyed upon trilobites are found here, at The Burgess Shale. After the time of the dinosaurs, there's another period when small, delicate mammals only rarely fossilized and we see a rare glimpse of them at sites in Germany: one where the famous Archaeopteryx fossil was discovered and another where the mudstone is a mere 48 million years old and hasn't finished solidifying into rock.

Somehow I missed this when it was first transmitted in 1989. That's a shame because it's exactly the sort of programme I look out for when scanning the tv listings. When so much is repeated on the television these days, it seems remarkable that I remained unaware of it until I did a search for the DVDs of David Attenborough's work. Thank goodness the BBC has started digging these treasures out of its dusty old archives and transferring them to DVDs for sale to those of us who can appreciate them. This is another of the Attenborough gems and all you would expect from the master of natural history/science programmes. The information still seems fresh, even though the series is 16 years old. Its age is only evident from the absence of raucous, irritating music and whiz-bang computer graphics. David Attenborough's narration is calm and his fascination and enthusiasm are obvious without the need for gushing and galumphing, as has become the fashion with more recent natural history documentary programmes. I've watched these series 3 times since I first received the DVD. We may watch documentaries mainly to acquire information and, of course, learning is a great source of enjoyment. But with really well-made programmes like this, it's more like the pleasure of reading a good book that, when you've finished it, you know you're going to want to read again.

Highly recommended.

Honest, passionate, scientific poetry
Review date: 2005-03-29 Rating: 10 out of 10

A neglected Attenborough work, but perhaps his most passionate. The astonishing world of fossil creatures is presented without apology, with intellect, and poetry. From snakes petrified by a Yorkshire saint to the 'one small death' of a horsheshoe crab, buried with its footprints a hundred and forty million years ago, no attention is paid to anything but the subject, and no second of your time is wasted. When Attenborough grasps an ammonite and exclaims "oh, that's beautiful!" you're not watching some flourescent airhead (or pretended airhead) gurning at the camera and yelling "WOWWW! What IS it!?!". Nor are you watching Alan Titchmarsh eat scones in a field. No, this is the real thing, the honest communication of a real thought by a mind that knows what it it seeing to a mind capable of seeing it too - yours. Four episodes to rank with 'Life on Earth'.

The polystyrene-rock title sequence and some Jaws-like music add an unintentional period touch.

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