Above all, Forsyte is driven by its characters--perhaps to an extreme, though the two-generation storyline makes no apologies for creating compelling people whose capacity for short-sighted blundering, bursts of grace, and slow-brewing redemption make them recognizably human. Eric Porter towers over everything as Soames Forsyte, a humorless attorney whose guiding principles of measurable value cause great heartache but slowly evolve, leaving him a graying, good father, arts patron, and sympathetic repository of memory. From the cast of 150 or so, other standouts include Susan Hampshire as Soames's troubled daughter, Nyree Dawn Porter as the wife of two very different Forsyte men, and Kenneth More as the family's artistic black sheep. --Tom Keogh
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Editorial
Amazon.co.uk Review
The Forsyte Saga is often cited as the first television miniseries; it wasn't, but there's no question that it was a singular, powerful cultural phenomenon that deservedly got under the skin of European viewers in 1967. Today the 26-episode production, based on several novels and short stories by John Galsworthy, is a more timeless enterprise than many of the protracted British TV dramas that have followed. While it would be wrong to consider The Forsyte Saga high art, it's certainly a mesmerizing and inspired mix of theater, sprawling Victorian narrative, thinking man's soap opera, and some finely tuned, 1960s black-and-white production values that (especially when shot outdoors) are strikingly handsome.
BY ALL MEANS GO FOR IT
Review date: 2008-09-22 Rating: 10 out of 10
I was sent to bed when the serie was shown in France in 1967, 10 years old at the time, but I amazingly remembered Kenneth More, Eric Porter and Nyree Dawn Porter faces. My mother was absolutly taken by the show and had no time for a kid.
Just last year, in Oslo, I walked into a news stand and found a very cheap print of the book. I bought it...........and let it rest until this summer on my coffee table. I finally took it while on a 10 days hike in the austrian alps and couldn't let go of the book. Primarly because I realized the Forsyte, although english, were just like my family !! Very chilling, but yet, there are heaps of french Forsytes, have a read at Emile Zoal or Balzac !!
I suddenly had to have the DVD. I finally went for the 1967 one and I'll never be sorry I did.
Black and white was in hinsight, a brilliant idea. Had it been in coulour, the make up would have been terrible. Don't forget most of the actors were in the 30's and had to be aged almost 50 years. Black and white allowed that.
I was amazed by the way it was filmed. One could believe it was very static, quite the contrary. The cameras never stop moving; think there were no portable cameras or steadycam then, but only very big " on stand video cameras.
The acting is just brillant but I'm sorry to say Nyree Dawn Porter'snperformance didn't really cut the mustard as far as I am concerned, still a very beautifull dame. All the other cast members are of the kind you would rarely or never find in France and elsewhere. I always had a soft spot for Kenneth More as a kid ans Eric Porter made me feel for poor Soames. Once you start watching you'll find it very hard to stop.........and we're talking 20 hours viewing. It's a bit like deciding to stop smoking........it's always the last one !!
You want to see some great english television, then buy the DVD. .................You'll thank me for it :)))
Donald Wilson was denied funds to produce it for ten years. Had there been a delay of a further year the series would have been filmed in colour, as he wished, rather than black and white.
The first of the John Galsworthy novels on which the series is based contains almost no dialogue. BBC script writers supplied the dialogue that helped make the ten siblings in the eldest Forsyte generation so memorable.
Galsworthy intended the Forsytes to represent the rapaciousness, greed and snobbery of the English upper middle class. In this adaptation they are much more endearing.
Being filmed in black and white made it possible to interpolate archival film of Queen Victoria’s funeral procession and of combat scenes from WW1.
Joseph O’Conor who plays the part of Old Jolyon was two years younger than Kenneth More who plays his son.
Eric Porter and Margaret Tyzack, who play Soames Forsyte and his sister Winifred, are in each episode and are required to age almost 50 years.
Although never credited, the music that opens and closes each episode is the first movement, “Halcyon Days”, from the suite “The Three Elizabeths” written in the early 1940s by Eric Coates.