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Comments by Michael Calum Jacques, author of '1st Century Radical'.
Review date: 2008-06-17 Rating: 8 out of 10
Taken as a whole, this is a rather splendid, at times haunting, film which is based upon J.L. Carr's (1916-1994) beautiful and delicately crafted novella entitled 'A Month in the Country', 1980.
The main plot is set during the warm Summer of 1919 and tells of how two young men struggle to regain their 'peace of mind' in the tranquil Yorkshire countryside, after having experienced the horrors of 'The Great War' (World War 1).
A lady benefactor has bequeathed a considerable sum of money to a church in Yorkshire; in order for the church to realize the benefit of this gift, a medieval mural must be uncovered from beneath the Victorian paintwork superimposed over it. Simultaneously, the remains of one of the benefactor's predecessors are to be exhumed with rather startling consequences.
It is in these gentle, pastoral environs in and around the village church that the two main protagonists find their paths crossing; both are patently afflicted with nervous and mental disorders, wrought through them having experienced the downright terror and trauma of the Great War. This film is not simply some naive nostalgic nugget; the dark, tragic effects of war torn lives and communities are very evident.
The film reflects the overall ambiance of the novella reasonably well although it does not adhere to the dialogue or plot without aberration; one 'woodland' scene in particular - involving Tom Birkin (the mural restorer), played by Colin Firth and the local parson's wife, Alice Keach, played by Natasha Richardson - is a complete interpolation void of any substantial textual basis within Carr's original story. Nevertheless, the 'spirit' of the story is successfully retained and this is enhanced by a number of convincing performances, not least of all by Kenneth Brannagh who wallows in the rather engaging and multi-dimensional character of James Moon, an archaeologist working around the churchyard, seeking the grave of the aforementioned ancestor.
Apart from the excellent cinematography and Howard Blake's superbly apposite, mellifluous soundtrack, the story allows us something of a glimpse into the life of its author, J.L. Carr. Termed by some, not entirely appropriately, as 'the last Englishman', Carr himself was involved in a bitter and protracted struggle to redeem the fortunes of a deserted midland church earmarked for closure by various authorities. A blow by blow account of this struggle can indeed be found in 'The Last Englishman: The Life of J.L. Carr ' by Byron Rogers.
Howard Blake's wonderful and evocative score can be found on the CD 'Violin Concerto "The Leeds"', superbly performed by the English Northern Philharmonia and conducted by Paul Daniel. Like the novella, the film version is as profound and affecting as the reader or viewer allows it to be.
Michael Calum Jacques, author of '1st Century Radical'