Looking fit and relaxed, and sheathed in black leather, Elvis covers a shrewd song list encompassing early rockabilly hits, gospel (rendered unintentionally hilarious by its florid dance routines) and comparatively restrained ballads. Standout performances include two intimate stage sets that put him literally within his fans' reach, most strikingly in a brief reunion with four of his earliest bandmates (including guitarist Scotty Moore and drummer DJ Fontana). The latter segment is only a brief sample of a session posthumously released on video as One Night with You, which is, if anything, even better than this terrific portrait of a towering American artist. --Sam Sutherland
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Editorial
Amazon.co.uk Review
Elvis: '68 Comeback Special shows how, isolated from his original audience after a long sojourn on Hollywood soundstages, and threatened by the vibrancy and social gravity of rock, the King sought to reclaim his throne. This was filmed five years before he achieved broadcast history with his legendary 1973 global satellite telecast, Elvis: Aloha from Hawaii, but more than three decades later, it's Comeback Special that looms as the Memphis icon's most substantial achievement as a stage performer. If the candy-coloured sets and hyperactive choreography of its larger production numbers smack of its network packagers' desperation to be hip, Elvis himself rises to a riveting, assured performance at the peak of his powers.
Fabulous!
Review date: 2008-10-18 Rating: 10 out of 10
I grew up in the era of arena rock--if you can pack in ten thousand fans, why not 20, or even 30 thousand? I could never understand why, by the early 80s, so many bands were 'going back to their roots' and playing in small clubs. Well, I had seen the Comeback Special years ago and never appreciated it. Finally, I figured it out: in the big arena, half the time you need binoculars even to see the band and you are just rockin' out with some guy next to you. The band is irrelevant. Well, with the Comeback Special, Elvis nails it--he's the center of attention, and, good grief, he has real charisma that a small audience can *feel*! That's what rock n roll is all about!
More or less, there are three main parts to this show. The first I'll consider is the production numbers. Well, these are all forgettable and really unnecessary. I guess the 'Big Boss Man' number might actually be the prototype for the MTV videos. So, they might be interesting from that perspective.
Let's turn our attention to the 'sit-down' sessions. This is where Elvis really shines. He's sitting with his buddies in a very loose atmosphere. The producer wanted to create on stage what the boys did at their jam sessions--sit around, talk, joke, sing--and it works. It's not the greatest music ever recorded, but it works perfectly for its purpose. It's rough, it's raw, but it's from the heart, and it's cool. Elvis puts on some great performances. NO ONE could sing rockabilly or rhythm and blues like Elvis does in the sit-down sessions. Here, he looks good, he sounds good, and he's at the top of his game. ('Tryin' to Get to You' is an RnB masterpiece!)
Next, there are the 'stand up' sessions. Here, Elvis is alone on stage--to sink or swim on his own. The band is no where to be seen. Elvis paces the stage (a boxing ring without the ropes) like a caged animal. He exudes energy. He's dressed in black, he looks good and he's hungry. HUNGRY. ("It's been a long time, baby"). He cuts into some of his old hits and it's great.
The only problem with his performance, especially in the 'stand-up' segments, is that we already see some of the elements that would become part of the 'cheesy' Elvis of the 70s--a bit of self parody and the huge retinue of band members and back-up singers that took the focus off him. This DVD, ironically, shows the two paths that Elvis could have taken--the 'sit-down' with Elvis as the focal point with a small band and the 'stand-up' with Elvis as an ornament with an army of back up people. Well, he unfortunately chose the latter.
Since this CD set has nearly every scrap of filming for the Special, including mutiple takes, it's really only for the serious Elvis fan. If you just want the final product, get the non-deluxe version.
For a few days in 1968, Elvis was king again. But had this been the '1963 Comeback Special' and had he been able to keep up this level of energy, maybe we would not have needed a British Invasion to reintroduce us to rock n roll.