Mona Lisa Smile [2004]


RRP: £19.99
Our Price: £0.49 (subject to change)

Editorial
Amazon.co.uk Review

Julia Roberts' command of the screen is so effortless, it's easy for moviegoers to take her for granted--but we shouldn't. Mona Lisa Smile--about a non-comformist teacher at a private school who encourages students to pursue their individuality--is pretty much an all-girls version of Dead Poets Society that mixes 50s fashions with 70s feminist thought. However, its lack of ambition doesn't diminish the talent that's gone into it: the writing and directing are well-honed and skilful; the actors--a talent-studded cast featuring Marcia Gay Harden, Kirsten Dunst, Maggie Gyllenhaal, Julia Stiles and Juliet Stevenson--are uniformly excellent. But without question, Mona Lisa Smile rides on Roberts' shoulders and she carries it with ease. She's possibly the only contemporary actor who simply owns a movie the way Bette Davis, Jean Arthur, or Claudette Colbert once did, radiating a engaging mix of intelligence, drive, and emotional warmth that cannot be matched. --Bret Fetzer



Carpe Diem girls!
Review date: 2008-02-11 Rating: 6 out of 10

The best to summarise the film would be to call it "The feminist Dead Poets' Society". The storylines are very similar. The campus environment of a girls' college is suddenly changed by an arts teacher who preaches her students to get a life. Not the life that is planned for them --mother and housewife. For me the film beautifully creates the same atmosphere arranged by schoolmasters, orthodox teachers, busybody parents in 1950'a America. The role of the woman in those days' society was diminished only to certain jobs and areas. This unequality is shockingly revealed through out the film. In the final scenes of the film the teacher shows slides to her students. In the slides are wonderful and happy women doing housework, cooking, cleaning, ironing. Not the life a learned woman wants, or is it?


Similar Products


Reviews


THREE SOLID STARS!
Review date: 2006-08-24 Rating: 6 out of 10

Maybe director Mike Newell was at a Hollywood cocktail party starring Julia Roberts and through bleary-eyes decided that a movie should be made about her "Mona Lisa smile." But Roberts doesn't have Mona Lisa's smile. Leonardo DaVinci painted Mona Lisa's smile as subtle, enigmatic, and mysterious, suggesting some secret knowledge just below the surface. Roberts' smile is wide and toothy, projecting a warm personality that bubbles right over the surface. Not that one's better than the other. Rather, to say that Roberts' persona, and especially her smile, is like Mona Lisa's is contrived. Alas, I apologize for beginning with a digression.

MONA LISA SMILE, keeps trying to make connections that just aren't there. Roberts stars as Katherine Watson, fresh out of graduate school and a new art-history professor at the prestigious, conservative Wellesley women's college in 1953. "Liberal," Berkeley-educated Katherine hopes to teach future feminist leaders at the elite college. But instead she finds that Wellesley is full of smart, young women preparing themselves for high class marriage.

Katherine encounters four girls who represent the various stereotypes the movie decides to explore: Snobby legacy student Betty (Kirsten Dunst) is prim, proper and about to be married. Bad girl Giselle (Maggie Gyllenhaal) who's from a broken home, and she has affairs with professors and married men. Intelligent Joan (Julia Stiles) is on the marriage track, too, but harbors secret ambitions to attend law school. And chubby Connie (excellent newcomer Ginnifer Goodwin) is a cello-playing loser who can't get a date. So that's the cliché team.

Predictably, Katherine's art history class doesn't take too kindly to this unconventional new teacher, who dares exposing them to modern (i.e., contemporary) art and modern feminist notions. Predictably, they soon warm to her, teaching her as much as she teaches them. It's the DEAD POETS SOCIETY -- or the PRIME OF MISS JEAN BRODIE (now, THAT was a film) formula. Yet these weren't the only movie to feature an inspirational teacher imparting life lessons into her students. Althoough Roberts had been miscast as the feminist iconoclast and her miscast smile is only the tip of the iceberg, the supporting cast is strong, even though Dunst goes a little overboard on her upper-crust accent.

Director Mike Newell tries to make a deep movie that challenges the social standards of the 1950s. But all he manages to do is throw some stereotypes up against other stereotypes. This produces a film that feels afraid to commit to a strong point of view or philosophy, wandering through several plot lines to a dissatisfying conclusion that's more like an afterthought. A big part of the movie's problem is in throwing around big words like "subversive" and "progressive" to describe Katherine without ever getting her to convincingly demonstrating those qualities.

What's next, Mike? DaVinci's LAST SUPPER starring your pal Mel Gibson?


A female dead poet's society...
Review date: 2006-01-27 Rating: 6 out of 10

Comparisons to Dead Poet's Society - virtually the same film, but set in a boy's school and english lessons rather than a girl's school and art lessons - are inevitable, but what makes this film perform better than that slightly dull effort is the eclectic mix of young, up and coming actresses.

In fact, Julia Roberts (whose doing her usual Julia Robert's style acting - so not bad, just what we've come to expect from her) had better watch out - these youths will be the superstars of tomorrow, and could well take away her Best Actress Ever tag!

Among them are Kirsten Dunst, Maggie Gyllenhal, Julia Stiles and Topher Grace (although that last one isn't female, but he certainly proves his worth in this film and is surely someone to look out for!). In fact, The best parts of this film are when the students are on screen. Fun, attractive and easily the most exciting bit of the film.

Because other than that, it's quite exceptionally boring. School lessons were never fun, and when they appear in this film, it almost as if you are back in class again. Authenticity is great, but not when it's something as snooze worthy as that.

Another annoying factor is how everything in the film is related to art. Art is obviously a big factor of the film, but life doesn't always have a relevence in art. So that aspect of the film seemed forced, and at times over sentimental.

But it's hard not to get wrapped up in the young students lives. Will they marry and follow the tradition, or take on a job and be pro-feminist. By the end, you will care for each and every character, and want them to make the right choice.

Maggie Gyllenhal's sexpot temptress, and Dunst's conflict with Roberts teacher are surely the standout moments in the film.

But come the overly schmaltzy end, was this film really worth it? It only lasts for a school calender year, and as the film never shows what actually happens to the students when they leave college, it seems like a lot of feminist movement preaching and ideas had been shoved down our throat without a conclusion as to whther any of it helped the characters or not. It's not a bad film, it is just incomplete.

Extras wise, we get input from all the main cast on the film, and some slightly interesting info comparing colleges and female life then and now.

I've read mixed reviews but it was brilliant!
Review date: 2005-08-31 Rating: 10 out of 10

I've read mixed reviews about this film. However I would definately recommend it, WE thoroughly enjoyed it (proving its not a girls film either!) The characters are so true to life and its the kind of film that really makes you realise life is about being true to yourself.
I hope you rent or buy it and enjoy it as much as we did.


Made us smile
Review date: 2005-05-17 Rating: 6 out of 10

This is the type of film that Sunday afternoons were invented for. Nice gentle pace and Julia Roberts superb as ever. An interesting insight to the US upper class in the 1950's....
best seen with partner in hand and big box of choclates.


Product Details/Specifications


Actor(s):
Julia Roberts|Kirsten Dunst|Julia Stiles

Creators:
Julia Roberts|Kirsten Dunst|Julia Stiles (Primary Contributor)

Director(s):

Recording label: Sony Pictures Home Entertainment
Manufacturer: Sony Pictures Home Entertainment
EAN: 5035822480339
Binding: DVD
Number of items: 1
Format: Anamorphic, Dubbed, PAL,
Release date: 2004-07-12
Number of discs: 1
Aspect ratio: 1.85:1
Audience rating: Suitable for 12 years and over
Region code: 2
Running time: 114 minutes
Theatrical release date: 2003-12-19
Language: Greek (Subtitled)
Language: Croatian (Subtitled)
Language: Arabic (Subtitled)
Language: Serbian (Subtitled)
Language: Dutch (Subtitled)
Language: Slovene (Subtitled)
Language: English (Subtitled)
Language: Hindi (Subtitled)
Language: Bulgarian (Subtitled)
Language: Hungarian (Subtitled)
Language: Icelandic (Subtitled)
Language: Romanian (Subtitled)
Language: English (Original Language)
Language: Italian (Original Language)

Add to Cart