Directed by Simon Langton and coscripted by John Hopkins and Le Carré this is a leisurely mystery. It offers a cannily generous central performance from Guinness, who never takes off his scarf and does his best to fade into the background while a succession of striking character players hold centre screen; but slowly and by sheer presence he begins to dominate the panoramic view of European treachery, deception, and disappointment. Among the terrific supporting cast are Michel Lonsdale, Mario Adorf, Vladek Sheybal, Michael Gough, Alan Rickman (a tiny, early role as a hotel clerk), Beryl Reid, Ingrid Pitt, Bernard Hepton, Michael Elphick, Rosalie Crutchley, Michael Byrne, Bill Paterson, and Maureen Lipman. Smiley's People is more interested in character than thrills, with each cameo contributing another view of the human cost of the cold war: most of the old friends Smiley seeks out react to his reappearance by saying they never wanted to see him again, and victory is only possible because Smiley discovers that his opposite number has a weakness that makes him almost sympathetic. It was originally broadcast in six hour-long episodes, and its intelligent approach works better if you watch episode-length chunks, letting one sink in before going on. --Kim Newman
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Editorial
Amazon.co.uk Review
The second of the BBC's well-regarded serialisations of John Le Carré's espionage bestsellers, Smiley's People is slightly less compulsively watchable than Tinker, Tailor, Soldier, Spy if only because Tinker, Tailor had a much stronger plot premise (who is the mole in British Intelligence?) than Smiley's People, which takes a very long time to come into focus. Retired spymaster George Smiley (Alec Guinness) wanders around Europe and visits a succession of desperate or eccentric characters as he plays a game which finally leads to another confrontation with and a possible victory over his Moriarty-like Soviet arch-nemesis Karla (an expressive but silent Patrick Stewart).
Slow burning, totally compulsive viewing
Review date: 2008-11-12 Rating: 10 out of 10
I watched this when first broadcast in 1982 and was utterly hooked - it was one of those programmes that was compulsory viewing and much discussed at work the following day. (although I remember Clive James, in his TV reviewer guise at the time, was a bit rude about the fact that it could make a heroine out of Connie, queen of the files.... well, you can't please everybody).
Anyway, the years went by, and then a couple of years ago I accidentally stumbled across this again as it was being repeated on BBC4 or some such ghetto channel. Unfortunately I'd missed the first couple of episodes (they were broadcasting it two episodes at a time) but I got hooked once more and made suitable arrangements to ensure that I caught the rest of the series - my family thought I was mad, but what the hell.
Lots of reviewers here have said that this is how BBC drama used to be, but I disagree to some extent - this is exemplary programme making by any standards. I've watched some other programmes that I thought were compelling on first viewing (I, Claudius, for example) and their age shows - still probably better than most of the rubbish spread thinly across all the channels today, but nowhere near as good as this. Don't go looking for high speed car chases, fisticuffs, or the like (although there are occasional flashes of very nasty stuff - for example when Smiley goes on the boat in Germany, or what happens to the Russian emigre's dog) - this is a slow burning, highly atmospheric story that gradually notches up the intrigue and tension, draws you in and eventually resolves with a satisfactory conclusion yet leaves enough questions dangling to wonder what happened next, and people's motives for their decisions and actions.
A terrific series, in short.