There's a core of usefulness to this film, which is its reputedly and apparently accurate rendering - such as they are - of the battles of First Bull Run (1861), Fredericksburg (1862) and Chancellorsville (1863). For the historical knowledge to be gained, I would rather that today's young generation watch this than the steady diet of silly, albeit spectacular, fairy tales served up on the Silver Screen. Unfortunately, the combat footage is interspersed with too much overwritten and pretentious dialogue played to the tune of an overly melodramatic soundtrack. And since they're almost carnage-free compared to such recent war epics as SAVING PRIVATE RYAN and BAND OF BROTHERS, the battle sequences have been criticized as glossing over the horrors of war. But how else does the studio get the film a PG-13 rating that will allow younger audiences in to see it? To be sure, its 3 hour and 40 minute run time could have been slashed by an hour, at least. GODS AND GENERALS makes GETTYSBURG (1993) seem like a great film in comparison.

Stephen Lang (General Pickett in GETTYSBURG) does a creditable job as the screenwriter's vision of Jackson, though I'm not convinced that this and the "real" Stonewall resemble each other. Unfortunately, much of the General's career and reputation was established by his brilliant Shenandoah Valley campaign of early 1862, events outside the scope of this epic. From reading, my impression of Jackson is that he was an austere, aloof, brilliant and eccentric commander who drove his men to the breaking point, and won their devotion in the process. The Jackson played by Lang comes across as almost warm and fuzzy. I don't know which version is more accurate, but this relatively pallid cinematic one isn't what I expected.

Robert Duvall plays General Robert E. Lee in GODS AND GENERALS, and his rendition is much more robust and believable than Martin Sheen's in GETTYSBURG. Jeff Daniels, a little chunkier and nearly a decade older, pretty much reprises the Joshua Chamberlain character of the 20th Maine Regiment, although he occasionally falls victim to windy monologs about the sanctity of the Union and the evils of slavery. In GODS AND GENERALS, unfortunately, there's no Little Round Top to valiantly defend to the last minie ball. The best Chamberlain can do is get pinned down by Confederate fire below Marye's Heights at Fredericksburg

Civil war buffs such as myself will certainly enjoy this film while fidgeting between battles. First Bull Run comes across rather stiff and awkward, but the troops are fully into it by Fredericksburg and Chancellorsville. It also helps if the viewer has some pre-knowledge of the battlefields and the locations of the opposing lines because there's too little elucidation provided by the on-screen tacticians. Those who've seen GETTYSBURG will recognize many of the actors who reprise their roles from the earlier sequel.

See GODS AND GENERALS and appreciate it for what it's worth. But don't expect a profoundly moving or satisfying experience.

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