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Editorial
Amazon.co.uk Review
Listening to Colour the Small One seems almost rude, as though you've just crept into someone's bedroom unannounced and read their diary, or even eavesdropped into a private conversation. A lot of this is down to Sia's voice; a soft, intimate, languorous affair that has the unsettling effect of being simultaneously sad and seductive. A couple of years on from her R&B-tinged debut and those classic pairings with Zero 7, the Australian vocalist has come a long way. The music here consists of basic frameworks of rhythm, enhanced by subtle percussion, folky harmonica and nothing more obtrusive than that secretive, melancholic voice. There's certainly room to breathe and Sia unfolds at her own leisurely pace. Opener "Rewrite" works the sad verse/sunny chorus formula to perfection, while "Sunday" turns "Strawberry Fields" harmonium into big orchestral trip-hop. "Sweet Potato" sours the flow, sounding contrived and too like Nelly Furtado for its own good, but "Bully", a collaboration with Beck Hansen, has a sweet melody that belies its subject matter. As cries for help go, this is up there with the best. --Paul Tierney
Live is best
Review date: 2007-07-31 Rating: 6 out of 10
Sia has a wonderful mesmeric quality to her voice. I, like most people, bought this CD off the back of her vocal performances for Zero 7. Although Colour the Small One is a decent enough collection of music, I have to say that I was disappointed with the vocal performance on this CD. It goes to show you that even the best performers need good music and top quality production a la Zero 7. If you are a fan of Sia's vocal talents from Zero 7, get Lady Croissiant instead. Her live performances are more confident and powerful. I hope she can bring this confidence into her next studio album.
The album is obviously a very personal work for Sia - reflected in the subject matter of 'The Bully' for example - in her own words: "I just wanted to write an album that was me: a small, weird, needy freak. It's a slow burner, but it's honest."
Highlights for me are the simple but addictive 'Sunday', 'Moon', 'The Church Of What's Happening Now' and the up-tempo, dancey number, 'Where I Belong'.
I have to to confess, though, that a couple of tracks just don't do it for me: 'Sweet Potato' and 'Butterflies' are too twee and I can forward-skip past these and not feel I've missed anything important.
In all, an album worth having.
The album develops an involving arc, that spans from the emotionally withdrawn 'Rewrite' to the near cathartic 'Where I belong', sharing many moments of discovery in what she's described as a very personal album. The intimacy that it develops is well maintained but does not stop the songs from varying. The charming, funny 'Sweet potato' and the almost anthemic 'Church of What's Happening Now' move the pace of the album away from predictability. It took a little while before I thought of it as a '5' but did warm to it immediately.
Her success with Zero 7 and inclusion on the keenly anticipated Six Feet Under 2 compilation suggests that her star will continue to rise, and I hope with the beauty and intimacy of this album.