While Moore ambushes his corporate subjects like a blue-collar Geraldo Rivera, a guerrilla interviewer who treasures his comic rebuffs as much as his interviews, his portraits of the colourful characters he meets along the way can be patronising. The famous come off as absurdly out of touch (Anita Bryant appears for some can-do cheerleading, and hometown celebrity Bob Eubanks tells some boorish jokes), and the disenfranchised poor (notably an unemployed woman who sells rabbit meat to make ends meet) all too often appear as buffoons or hicks. But behind his loose play with the facts and snarky attitude is a devastating look at the victims of downsizing in the midst of the 1980s economic boom. This portrait of Reagan's America and the tarnish on the American dream comes down to a simple question: what is corporate America's responsibility to the country's citizens? That's a question no-one at GM wants to answer. --Sean Axmaker
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Editorial
Amazon.co.uk Review
Made in 1989, Roger and Me is a loose, smart-alecky documentary directed and narrated by Michael Moore. Here for the first time, the man who won unexpected Oscar glory with Bowling for Columbine exposed audiences to his devastating wit and a working-class pose. When his hometown is devastated by the plant closure of an American corporate giant (making record profits, one should note), the hell-raising political commentator with a prankster streak tries to turn his camera on General Motors Chairman Roger B Smith, the elusive Roger of the title, and the film is loosely structured around Moore's odyssey to track down the bigwig for an interview.
Coarse and uninformative - Social Development 101?
Review date: 2005-02-04 Rating: 4 out of 10
Although I admire Moore for successfully doing something about what the rest of us just read in the papers, this doc hammered in the same point over and over again, and it hammered hard - by the end of it I was knackered and numb. It's a great vehicle for thinking America is crap, if that's what makes you happy. But this issue is more complex than "if you lay off workers you're an evil man". Yes, corporate capitalism isn't ethical, but Moore offers no history, explanation, dissection, comparison, or suggestions; all he does is show pictures of rich people next to poor people. Maybe it's "Social Development 101", just a wake-up call, and the analysis and suggestions for improvement can come later. The final sequence was very touching - the head honcho of GM making a pretty and utterly insincere Christmas speech about how wonderful the world is, intercut with scenes of a family in the same town being thrown out of their house. But if you're genuinely interested in finding out more about this kind of subject, buy a book.
The bitter, sarcastic assaults on Roger B. Smith are mixed, with virtuosic dexterity, with documentary scenes from Flint, trying to reinvent itself as a luxurious conference centre and tourist mecca, and as a viewer you feel the heat of anger as Moore interviews the ageing and boundlessly naive entertainer Pat Boone, a spokesperson of General Motors in the 60s, about the situation, and all he gets in return are platitudes and blandness. When Moore asks the local beauty candidating for Miss America what her hopes are for Flint, she says, "I just hope that everybody in Flint crosses their fingers for me at Miss America next week ...".
Of course, as is the case with 'Fahrenheit 9/11' and 'Bowling for Columbine', this is no documentary in the established British tradition. It is rather a heated argument in a debate, using all the means of demagogy and populism. But it certainly gets its message across, and as film art it is unbeatable.
In the UK Moore's recent films are less enlightening than I imagine them to be in the States but they still prove amusing. Fahrenheit 9/11 is nothing different to what we have been seeing every day on the BBC and the wacky gun nut expose that was Bowling for Columbine, despite being and excellent piece of film making, doesn't affect us, it is just those crrrraaazzyyy Americans shooting each other again.
Roger and Me is different, it is Moore's virgin outing, even before the excellent TV Nation and Awful Truth TV Series (well worth importing on region 1 from amazon.com as I did). It is well before the Moore hype of late and he is indisputably talking from the heart at all times.
You see a town - Flint (Moore's home town); home of General Motors absolutely ravaged be plant closures and the resulting social consequences. I looks like the sort of images you saw in post communism Russia after the Iron Curtain fell! Virtually 100% unemployment (apart from the Bailiff you see throwing people from their shanty-town-like homes). People skinning pet rabbits for meat, children's beds being thrown onto the street and poor people being paid to be "statues" at rich people's parties! (seriously).
The image presented in the film is a far cry from the American dream, and it is genuinely shocking from the outside because, this time, I really didn't know this sort of this happened in America.
Essential for any Moore fan, brilliant for anyone who wants to look at the true social structure of small town America.
The film revolves around the closing of General Motors factories in Flint, Michigan. The closings causes families to lose their homes, their jobs, and most of all their well-being. Michael Moore is determined to get General Motors Chairman Roger Smith to come down to Flint and see the devastation his company has caused. Of course, just trying to MEET the man throws all sorts of obstacles in Moore's way... and it's all caught on film! All of this equals an entertaining documentary that is unpredictable and untamed.
I'm not that big on documentaries, but I have to admit that I enjoyed this one. Michael Moore does an excellent job of bringing to light problems that may seem so insignificant to the rest of the world. And he's determined too, which is why this all works. He tries so many times to get in touch with Roger, no matter what kind of trouble he runs into. His passion is easily observed through this movie, that's for sure.
The DVD isn't the grandest of DVDs. It's not in widescreen, but for a movie like this it really isn't that big of a problem (I'm not even sure if this was originally shot in widescreen or not). The picture and sound quality is pretty good, considering how old it is. The theatrical trailer and commentary are the two special features on the DVD. I think an important film of this caliber should've received better DVD treatment, but what can you do? It is what it is.
"Roger & Me" is a surprisingly witty and sharp documentary that shows you a side of Big Business that was never meant to be seen. Coming from a guy who doesn't really fancy documentaries all that much, my advice to you is to pop this baby into the DVD player and strap yourself in for one wild ride. -Michael Crane
Throughout the film there is an air of ridiculousness with many events seeming more akin to an episode of The Simpsons rather than a real documentary. Whilst the town is floundering the local authorities build a massive hotel and shopping complex which subsequently goes bust and then there's the parade which marches past the lines of boarded up shops led by a beauty queen whose words to the unemployed masses of Flint is basically 'wish me luck in the Miss America finals!'. And just when you think things can't get any worse the tourism department comes up with the tragically funny 'Autoworld'; a theme park created to celebrate the town's depleted industry which features a recreation of how the town used to look and a puppet autoworker singing cheerfully to the robot which has taken over his job.
'Roger & Me' is a tremendous film which is both amusing and heartbreakingly sad. It shows how the people who worked at the GM factory at Flint were not only let down by a big corporation but also by those in their community who should have been there to support them.