His co-workers in the cube farm are an annoying lot, his boss is a snide, patronising jerk, and his days are consumed with tedium. In desperation, he turns to career hypnotherapy, but when his hypno-induced relaxation takes hold, there's no shutting it off. Layoffs are in the air at his corporation and with two colleagues (both of whom are slated for the chute) he devises a scheme to skim funds from company accounts. The scam soon snowballs, however, throwing the three into a panic until the unexpected happens and saves the day. A little bit like a US version of The Office, director Mike (King of the Hill) Judge's debut movie is a spot-on look at work in corporate America circa 1999. With well-drawn characters and situations instantly familiar to the white-collar milieu, he captures the joylessness of many a cube denizen's work life perfectly. Jennifer Aniston, a waitress at Chotchkie's, a generic beer-and-burger joint, plays Peter's love interest and Diedrich Bader has a minor but hilarious turn as Peter's moustached, long-haired, drywall-installin' neighbour. --Jerry Renshaw
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Editorial
Amazon.co.uk Review
Office Space is a movie for anyone who's ever spent eight hours in a "Productivity Bin", had to endure a smarmy, condescending boss, had worries about layoffs, or just had the urge to demolish a temperamental printer or fax machine. Peter (Ron Livingston) spends the day doing stupefyingly dull computer work in a cubicle. He goes home to an apartment sparsely furnished by IKEA and Target, then starts for a maddening commute to work again in the morning.
There is only one thing wrong with this DVD release...
Review date: 2008-03-10 Rating: 10 out of 10
...and that problem is that we never get any really good Special Edition box sets here in Region 2. So, Fox, let's have a Special Edition of "Office Space" for Region 2, like you did in the States, and throw in the "Milton" shorts mentioned in the opening credits!
Aside from that, it's brilliantly written, superbly acted, beautifully filmed, exactingly designed and produced, wonderfully scored, endlessly quotable, and works on many levels at once. It functions best as an outright satire of Work. Whether you toil in the service industry, like Jennifer Aniston's character, Joanna, or in a cubicle like the majority of the rest of the characters, or in management, or consultancy, this is a must-see film. It has something for everyone who has ever held a job. However, I also believe this film should also be used as a mandatory corporate training video in every company on Earth. With everything you do, you should ask yourself: "Am I acting, speaking, or thinking like any of the characters in this film?" And if your answer to that question is "yes," it's time to re-evaluate your life, your job, and your company's policies.
The power of this film is such: Milton has a red Swingline stapler, which becomes a central feature of the movie. The story goes that the company started getting phone calls, letters, and e-mails wanting to place orders for red staplers . . . which they didn't actually make. The prop department on "Office Space" had simply painted a stapler red to make it stand out more in the film. As the film gained cult status, requests for red staplers increased to the point where Swingline caved in and now produces a bright red stapler. This film changed the American office supplies market. That's how good it is.
One thing that's been glazed over in the reviews: this film was originally released in the late 1990s, which means it came out many years before "The Office" (both the British Original and American Remake versions). And as far as I'm concerned, it's also much, much funnier than either of them. In principle, this film just shouldn't work. A movie about software engineers in which not much actually happens? Boring. A white-collar comedy with a gangsta rap soundtrack? Insane. The major antagonist (Lumbergh) being one of the most tedious, bland, lifeless drones ever to grace a screen, and the fact that the anti-hero everyone ends up cheering for, Milton, is even MORE dull, socially maladjusted, and petty? It just can't work. But it DOES, and so amazingly well, I'm surprised that this film isn't in every home on the planet yet. Everyone who has watched it with me began laughing before the opening credits were finished, and kept right on laughing through the end credits. I recommend this film without hesitation or reserve.