The premise is typical Buffy both in its whimsy and its emotional truth--a demon forces the inhabitants of Sunnydale to express their emotions truthfully and uncovers a variety of embarrassing secrets. The actual musical ability of the Buffy cast is variable--Amber Benson as Tara and Anthony Stewart Head as Giles are perhaps the only ones with enough musical talent to carry purely lyrical tunes, but Sarah Michelle Gellar as Buffy is a game little trooper who delivers her various patter songs with her usual efficiency and charm. Emma Caulfield as the ex-demon Anya is the big surprise, her short paranoid riff on the subject of that ultimate evil, bunny rabbits is quite extraordinary; Broadway hoofer Hinton Battle is fabulous as Sweet: "I can bring whole cities to ruin and find time to get some soft shoe in." --Roz Kaveney
RRP: £15.99
Our Price: £10.84 (subject to change)
Editorial
Amazon.co.uk Review
"Once More With Feeling", a much needed shaft of lightness in Buffy the Vampire Slayer's dark sixth series, demonstrates that a "special" episode can be genuinely special. It preserves the show's continuity for its regular watchers and also delights people who have never experienced it before. This is creator Joss Whedon's tribute to all the masters of the stage musical whom he admires--most obviously Stephen Sondheim--and a chance for his talented cast to display their usual tight ensemble and sing and dance while doing it.
Editorial
Special Features
Buffy Inside the Music
Dark Angel Interview with Jessica Alba
Angel Season 1 Overview
Buffy Season 1, 2, 3, 4, 5 and 6 Trailers
Angel Season 1, 2 and 3 Trailers
Dark Angel Season 1 Trailer
Aspect Ration 16X9FF
Dolby Digital 5.1
Subtitles: English for the hearing impaired
Editorial
Synopsis
Buffy (Sarah Michelle Gellar) and the Slayerettes find themselves singing and dancing their way through this special episode, as an evil spell turns Sunnydale into a giant musical stage. This vampire-and-demon-filled production features Buffy, Spike (James Marsters), Xander (Nicholas Brendon), Anya (Emma Caulfield), Willow (Alyson Hannigan), Tara (Amber Benson), and others belting out tunes, ranging from Broadway-esque numbers to alt-rock rave-ups. Written and directed by BUFFY creator Joss Whedon, the episode is a truly entertaining combination of comedy, horror, and showtunes. Songs include "Going Through the Motions," "Under Your Spell," "Walk Through the Fire," "Something to Sing About," and "Where Do We Go From Here
yeah baby yeah
Review date: 2007-02-15 Rating: 10 out of 10
if your a fan of musicals like grease and high school the musical lol ???
you will love this, all the songs are really catchy, ive seen this a few times and i sing along every time its really enjoyable to watch. But if you are a buffy fan you might as well buy the series instead of this dvd on its own?
good watch, good watch
On patrol one night in a Sunnydale graveyard, Buffy Summers (Sarah Michelle Gellar) suddenly starts singing about how she is "Going Through the Motions" as she dusts vampires. The next morning she finds out that she is not the only one who has been suddenly bursting into song ("I've Got A Theory/Bunnies/If We're Together"). Even the common people are affected ("The Mustard") and the only people happy with the situation are the two lovebirds, Tara and Willow ("Under Your Spell"). But the power of the music forces Xander and Anya to be honest to each other about their fears regarding their upcoming nuptials ("I'll Never Tell") and it does not help Marti Noxon ("The Parking Ticket"). Spike is also brutally honest with Buffy in his song ("Rest in Peace"), while something Dawn leads Tara to discover that she has been under Willow's spell in more than one way.
Dawn is left out of the song ("Dawn's Lament") but not the dance part of the festivities ("Dawn's Ballet") and meets Sweet (guest star Hinton Battle), the demon behind the music ("What You Feel"), who reveals his plans: marry Dawn and let the Slayer dance herself to death. Meanwhile, Giles comes to the conclusion that he is just "Standing" in the way of Buffy growing up and both he and Tara decide the time has come to leave ("Under Your Spell/Standing - Reprise"). So Buffy is sent off to fight Sweet alone, but of course everybody shows up to lend a hand ("Walk Through the Fire"). There they learn the horrible truth, that they did not save Buffy from a hell dimension but instead ripped her from the eternal bliss of heaven ("Something to Sing About"). It is Spike who saves her from the demon and the ending is rather anticlimactic when they discover it was not Dawn who summoned the demon but Xander, worried about his future with Anya. The deal is off ("What You Feel - Reprise") and the gang is left to ask the musical question, "Where Do We Go From Here?"
We all knew Anthony Stewart Head could sing from his acoustic versions of "Green Eyes" and "Freebird" (plus "The Exposition Song"), but Amber Benson certainly does a very nice job with both her big number and the reprise, and you have to give Sarah Michelle Gellar points for giving it her best when you know this is not something she is comfortable doing before the entire world. But then we are back to giving Joss credit for writing songs that played to the vocal strengths (or lack thereof) for his cast (e.g., Willow's "most filler" line in "Walk Through the Fire"). That is why Nicholas Brendon is able to do his retro pastiche that is never going to be breakaway pop hit with Emma Caulfield (I love the sound of the crickets chirping before Anya launches into "Bunnies"). Of course, I am preaching to the people listening to the choir here because fans of the show know they really pulled it off in this episode, which was finished #44 on the "TV Guide" and "TV Land" list of the 100 Most Unexpected TV Moments."
The cover art for this DVD was also used on the videotape sent out by 20th Century Fox/UPN/Mutant Enemy to plug "Once More, With Feeling" for the Emmys (as well as on the CD, the script book, and the poster art for the episode). Of course, the only nomination the episode received was for Outstanding Music Direction (for Jesse Tobias and Christopher Beck). Oh, and "Under Your Spell" was the song they were pushing for Outstanding Music and Lyrics that was passed over. We all thought that once Joss Whedon was nominated for his script of "Hush" the Emmy people had recognized what great work he had been doing in relative obscurity over there on the WB. We figured "The Body" would obviously get a nomination, but that did not happen. Then we though "Once More, With Feeling" was a no-brainer, but, ironically, it turns out we were right and the people who do Emmy nominations do, in point of fact, have no brains.