Translating this novel to the screen requires that it be done by those who have a strong understanding and affection for the authors and her characters. Vanessa Redgrave is clearly one of those people and she commissioned Eileen Atkins to write the script so that she could play the title character. Atkins is a Woolf scholar who not only played the author in a one-woman stage piece but also wrote "Vita and Virginia," in which she and Redgrave played Woolf and her lover Vita Sackville-West. Atkins chooses to allow us only into the inner thoughts of Mrs. Dalloway, using voice-over narration to reveal the thoughts that she would never speak out loud. Those who have read the novel might not enjoy the film more than those who have not, since there are always limitations with bringing any literary masterpiece to the screen, but they will certainly understand it more, especially the first part of the film.

A strength of this 1997 film is how easily we accept that Natascha McElhone as the young Clarissa grows up to be Vanessa Redgrave's Mrs. Dalloway. It is young Clarissa who chooses young Richard (Robert Portal) over not only young Peter (Alan Cox), but also over young Sally Selton (Lena Headey), whose kiss bespeaks something that is not going to even be thought about. Now Richard Dalloway (John Standing) is a cabinet official, Peter Walsh (Michael Kitchen) has come home from India, and Sally is now Lady Rosseter (Sarah Badel). Of course Mrs. Dalloway's thoughts go back to her fateful decision, made over the objections of her friends, when she accepted her life of comfortable sameness. But her concern over the evening's party is just as big of a concern. For those who are trying to figure out the point of the story the seemingly unrelated plotline involving Septimus Smith (Rupert Graves) and his Italian wife (Amelia Bullmore) helps the pieces come together, especially once Mrs. Dalloway's thoughts provide the big picture.

Dutch filmmaker Marleen Gorris, who won as Oscar for "Antonia's Line," brings this film in at 97 minutes and while I think "Mrs. Dalloway" the film captures the essence of the novel, I cannot find it approaches the depth. What makes the novel profound is not the end point that it reaches when we reach the close of a day in the life of Clarissa Dallowy, but the journey through her jumbled thoughts. For Christmas I gave my eldest daughter the movie "The Hours" along with the Michael Cunningham novel and Woolf's "Mrs. Dalloway," and I would think others would benefit from immersing themselves in the works of, and about, Virginia Woolf.

Filming the unfilmable
Review date: 2004-01-13 Rating: 10 out of 10

If ever there was a writer I thought unfilmable Virginia Woolf is that writer. If ever there was a book that I thought unfilmable Mrs Dalloway is that book. So to see this splendid "reading" of that masterpiece is a joy. The casting is perfect, Vanessa Redgrave brings the right dignity to Clarissa's character as no other actor could. The book is basically the inner dialogue of a woman preparing for a party and her own mortality. The film loses nothing of this intimacy and gives each viewer the opportunity of seeing into this character without being too intrusive. This is a rare film which influenced the more recent "The Hours" for obvious reasons

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