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Editorial
Amazon.co.uk Review
Olivier Martinez (The Chambermaid) plays Angelo, an exceptionally gallant, Italian soldier-in-exile hiding out from his Austrian enemies in rural France, where a cholera epidemic is sweeping the countryside. Helped in a tough spot by a countess (Juliette Binoche), Angelo swears his unyielding protection to her as she searches for her missing husband. The nobler virtues hold sway as Martinez suppresses his own deepening love and desire for the lady, an admirable posture that has ironic consequences when the countess herself becomes deathly ill. Jean-Paul Rappeneau, maker of the ornamental but empty Cyrano de Bergerac, directs this adventure-romance to a nice pitch of vitality and high drama. The two leads in Horseman on the Roof establish a great chemistry (they became offscreen lovers and parents), like watching a pair of thoroughbreds running in the same race. --Tom Keogh
Nemesis fast pursuing
Review date: 2008-01-05 Rating: 10 out of 10
This is a chase movie. It opens in the 1830s in Aix-en-Provence with the town en fête, Italian nationalists are in exile there plotting a return to oppose Austrian rule of Italy. An Austrian special forces team is sent to clip them. For all they drive in a coach and use flintlock pistols they are recognisably brothers under the skin with assassins from any modern movie, aided by their otherness (they speak in German). One Italian is executed but the second (a colonel of hussars and our hero) escapes and the chase is on. It is a chase across a world that has long gone, as if Flashman were pursued through Hardy country. The farming communities are beautifully observed; one can feel the heat of the harvest fields, one joins the communal tables, I can recognise it from conversation with my grandparents.
But the chase is not just to be from the Habsburg Hit Squad because this is the year of the cholera. We encounter first the dead, then the deranged animals and emboldened carrion eaters. Then whole towns are driven mad. Our hero is pursued by pestilence, hysteria and Austrians; a maxed up chase movie. Fortunately the hero (played by Olivier Martinez) is an action type escaping by grasping at chances and not giving in; a man driven to courage by his mother's upbraiding. He eventually meets our heroine, a young noblewoman who is trying to get back to her husband in Alpine France. The rest of their journey is just as eventful as they are now pursued by the French authorities (cue some wonderful uniforms) anxious to quarantine everyone. At a low point, in a Hitchcockian moment, they are even attacked by birds. It is as if the stars in their very courses fight against our heroes.
As with all good chase movies the terrain changes as the pursued flee. In this case we move upwards away from the corruption of the warm plains to the severe purity of the cold uplands (where the plague is less virulent). There is a change not only of terrain but of life-style, building and farming. Like a long stage in the Tour de France we see dramatic changes in a short period. At some stages it begins to resemble an apocalypse movie; there is no atom bomb or outbreak of zombies but at times you will recognise the similarity. This is all made even starker by the way this world is both medieval and modern at the same times. The clothing and some of the class structure could be late Victorian - a scientific age. Yet the peasantry and the ignorance and fear of what is causing La Peste feel much older.
Horseman on the Roof is a lush production, dripping with historical detail. At just over two hours it has time to develop its theme and the actors with which to do it. It is a very good film indeed.