The production values are astonishing and the film revels in the exquisite painterly visuals which have become a Scott trademark. Howard Blake's elegiac theme adds immeasurably to the impact of a film influenced by Stanley Kubrick's Barry Lyndon (1974), and anticipating Scott's own Best Picture Oscar-winning Gladiator (2000). A haunting work of spectral beauty, it is also a worthy companion to Scott's shamefully neglected 1492: Conquest of Paradise (1992). On the DVD: The Duellists is transferred at 1.77:1 with full sound atmospherically remixed in Dolby Digital 5.1. A new 29-minute documentary finds Scott discussing The Duellists with Kevin (Robin Hood: Prince of Thieves) Reynolds, which is particularly enlightening given the relative merits of the two swashbucklers. Scott's absorbing commentary track provides an in-depth look into the film-making process. Equally, film music aficionados will be delighted to find not just an isolated music track, but an informative commentary by composer Howard Blake, though he does sometimes talk over the beginning or end of cues. Most unusual but very welcome is the inclusion of Scott's first short film, Boy and Bicycle (1965), a 25-minute b/w mood piece starring Tony Scott, with music by John Barry. Other extras are a storyboard-to-screen comparison, the American trailer and four galleries of posters, stills and production photos. --Gary S Dalkin
RRP: £15.99
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Editorial
Amazon.co.uk Review
One of the great directorial debuts, Ridley Scott's The Duellists is an extraordinary achievement which weaves an epic-in-miniature set around the edges of the Napoleonic Wars. Based on a story by Joseph Conrad, in turn inspired by real events and filmed in part where those events took place, this is the tale of a 15-year conflict between two French army officers: the level-headed Armand D'Hubert (Keith Carradine) and the obsessive Gabriel Feraud (Harvey Keitel). Each time they meet they duel, until the original purpose of the conflict is all but lost. Beyond the two American stars, who fill their roles with rare commitment--accents not withstanding--Scott assembled a stellar cast: Albert Finney, Edward Fox, Pete Postlethwaite, Diana Quick, Cristina Raines, Robert Stephens, Tom Conti, John McEnery, Maurice Colbourne and Jenny Runacre.
HIGHLY STYLISED BUT SATISFYING
Review date: 2008-09-21 Rating: 10 out of 10
This was Ridley Scott's first movie and it won him an award at Cannes too ,with a great cast including Harvey keitel ,Keith carradine ,Edward fox and many more ,he had a great oppurtunity and he did not waste it for sure .
There are obvious flaws in this really glossy look at eighteenth century europe where two maniacs duel with swords and pistols in every corner of europe from Marseilles to Lubeck over a period extending to almost two decades.
Scott lights every corner and bush with a candle light or luminous mist to make this almost a romantic painting by Fragonard or Delacroix-but ultimately the 2 actors rescue him from turning the script into a stylised monstrosity-though only by a slight margin itself.
Both Carradine and Keitel are magical and underplay their parts to perfection as the enemies sworn to put honour before life,they are excessive in both their zeal and passion appropriately unlike the script which is subtle at times and very pretentious intermittently .
The Napoleonic russian debacle is very well staged and is the best part of the story as the characters behave according to logical restraints .
Women are rather appendages and treated as accessories almost like the fobs and cravats and the wigs that the menfolk wear in the glossy adventure .
Scott has an overdone visual sense which he corrected later in blade runner but this is a good debut nevertheless and is still quite an eyeful to look at with the french castles and lush country woodland visualised in every light composition possible to conceive by human mind.
USMAN KHAWAJA
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