You Can't Take It With You [1938]


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Editorial
Amazon.co.uk Review

You Can't Take It With You, Frank Capra's 1938 populist spin on the George S Kaufman and Moss Hart play about a family of happy eccentrics, is a great deal of fun, though it significantly rewrites the original work and doesn't represent Capra (Mr. Deeds Goes to Town, Mr. Smith Goes to Washington) at his best. Jean Arthur plays a member of the blissful Vanderhof househ old who falls in love with a rich man's son (James Stewart) and brings him into her nutty home. Lionel Barrymore, who played such a bad guy eight years later in Capra's It's a Wonderful Life, is the wonderful Grandpa Vanderhof, who addresses God during the dinner prayer as "sir" and speaks plainly and beautifully of why it's good to be alive. Capra took this opportunity to rail against big business and champion the common man, but the overall tone of the film--typical for the director's comedies--is buoyant and snappy. --Tom Keogh, Amazon.com



So what good is it
Review date: 2007-02-23 Rating: 8 out of 10

Frank Capra tries out eccentricity for size in the enchanting "You Can't Take it With You," a movie all about doing whatever makes you happy, not rich. While he's not quite in his element here (this is supposed to be really weird?), the talented cast and heartwarming message make this a truly enchanting, sweet movie.

Megamogul Kirby (Edward Arnold) has bought out dozens of buildings for a new factory -- only one eccentric family refuse to sell their family house. What he doesn't know is that his dissatisfied son Tony (James Stewart) is madly in love with Alice Sycamore (Jean Arthur), the daughter of the family. And now they're engaged.

When Tony shows up to meet the future in-laws, he finds ballet in the kitchen, fireworks in the basement, and genial patriarch Grandpa Vanderhof (Lionel Barrymore ) ruling the house. But though he loves the way the Vanderhof clan lives, Tony isn't prepared for how his wealthy parents will react to them -- or how they will all be arrested. Wll the Vanderhofs lose their carefree way of life?

Frank Capra tried hard, but he was better at sentimentality than eccentricity. He just doesn't seem to know what a weird familoy looks like. Leave that to Wes Anderson. What makes this movie so enchanting is what Grandpa says in the jail cell: "You can't take it with you, Mr. Kirby. So what good is it? As near as I can see, the only thing you can take with you is the love of your friends."

That enchanting message rules the story, where the Vanderhofs devote time to art, food, fun and friendship. Capra introduces us to them through a timid clerk who decides "I'm a lily!" and follows Grandpa home. Before long, he's joined the pack and is happily making fireworks.

The film takes a darker turn in the last quarter, when the Vanderhofs appear to be leaving, Tony has lost Alice and soon quits his job, and Mr. Kirby begins to wonder if his moneyed, powerful life really is empty -- and if he really doesn't have any friends. But don't expect the free-spirited Vanderhofs to be squashed by a corporate president, no matter how powerful he is.

This was the first of Capra's collaborations with James Stewart, and Stewart is a bright spot in a stellar cast of solid, memorable actors. His Tony is unspoiled and sweet, and he longs to be part of a loving family. Barrymore does a stellar performance as the kindly Grandpa, who hides the poignant reason why he will never leave the house.

"You Can't Take It With You" will leave you longing to become a lily of the valley, and remind you of what is truly important. The eccentricity doesn't fit as it could, but the bright, magical story makes up for that.



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Reviews


Polly Waddle Doodle All Day!
Review date: 2005-08-29 Rating: 10 out of 10

If you were not in love with Jean Arthur before seeing this Frank Capra gem, you certainly will be afterward. Robert Riskin handed the great director another warm and hilarious screenplay, based this time on a play by George S. Kaufman and Moss Hart. A perfect cast, which includes Jean Arthur, Lionel Barrymore, Jimmy Stewart, Spring Byington, Mischa Auer, Edward Arnold, Donald Meek, Ann Miller, Harry Davenport and Eddie "Rochester" Anderson, make this a true film classic.

The story centers around the impending marriage of Tony Kirby (Jimmy Stewart) and Alice Sycamore (Jean Arthur) and the complications that arise due to her very unconventional family, headed by her kind and loving grandfather, portrayed in memorable fashion by Lionel Barrymore. Everyone in her family does pretty much as they please, defying convention and unafraid to enjoy life to its fullest.

Alice's mother Penny (Spring Byington) writes plays because a typewriter was once delivered to their house by mistake. Her sister Essie (Ann Miller) can't dance worth beans but takes lessons anyway from a starving and slightly crazy Russian named Kolenkov (Mischa Auer). He knows she can't dance but comes for the food and might as well be one of the family. Alice's dad spends all his time creating fireworks and testing them out inside the house. And grandpa, who refuses to pay taxes, has brought home a Mr. Poppins (Donald Meek), whom he has talked into pursuing his true love, which happens to be the making of monstor masks. All the above is usually going on simultaneously as grandpa plays the harmonica.

Tony's family is involved in some strange thing called banking. His father Anthony P. Kirby (Edward Arnold) is, in fact, one of the most powerful men in America, and seeking even more power in a deal that hinges on his acquisition of an entire city block. But Alice's family lives in that block and grandpa is quite happy to hold out so everyone in the neighborhood doesn't have to move.

There is a warm and charming scene as the young couple talk of their dreams and families on a bench by a moonlit lake. They end up dancing with some kids trying to make a buck, and Arthur somehow winds up with a sign on her back that reads: NUTS! Since Alice and Tony are on their way to meet his parents for the first time, it might just raise some eyebrows!

The sweet but nervous Alice finally arranges for the Kirbys to come for dinner. Tony brings them on the wrong night, however, and catches everyone being their normal and whacky selves. Even Alice gets caught in the act, sliding on the bannister! The only thing Anthony P. Kirby has in common with these folks is he once upon a time played the harmonica, just like Alice's grandpa. Both Lionel Barrymore and Edward Arnold shine, respectively, as man enjoying life, with lots of friends, and a man out to make more money, at any price.

A fireworks mishap lands both families in jail, and the press has a field day when they learn Anthony P. Kirby is in the clinck! Harry Davenport is wonderful as the wise judge they are brought before who does his best to straighten the mess out. The results are terrible, however, as Alice is hurt by Tony's family and runs away, refusing to let Tony know where she's at. She comes rushing back when word reaches her that her grandpa has given in to Kirby, and is selling their home.

It is Kirby who will set things right in the end as his love for his son and a foreshadowing of his own future causes gradpa's words to sink in. You really can't take it with you, but you sure can play the harmonica! Even Tony's stuffy mom might loosen up a bit, if handled in the right way. The daughter-in-law they didn't want, with the family they didn't like, may just prove to be the best thing that ever happened to the Kirbys.

Stewart and Arthur are great together, and Arthur is just magical in a couple of scenes. Eddie Anderson, Jack Benny's long-time sidekick, has a few fun moments also. No director ever straddled the line between the sweet and madcap better than Frank Capra, and this warm and wonderful film is proof of that. You can't take it with you, but you can certainly pick this film up and take it home, which is exactly what I suggest you do.

They don't get any better than this!
Review date: 2003-11-12 Rating: 10 out of 10

If you want a film to cheer you up this is the one! This is an even better feelgood film than It's a Wonderful Life. Jimmy Stewart is brilliant, as are all the rest of the cast (I love the eccentric family manufacturing fireworks in the cellar), and the good old Capra moral is that money doesn't buy you happiness - can't beat it!

Rivetting!
Review date: 2003-10-09 Rating: 10 out of 10

If you like Its a Wonderful Life you cannot fail to find this film irresistable. Capra-corn at its most delightful and meaningful.......Long may he shine

A difficult one
Review date: 2002-07-17 Rating: 8 out of 10

On a personal level I'm very fond of this film but being more objective it's actually not very well put together. Capra has basically built a wonderfully eloquent grandfather figure ( played by Barrymore ) and wrote a less inspiring screenplay around him. Barrymore's character has superb dialogue and it carries the film along in a heartwarming sort of way.

Despite it's age this film has a lot to say about our modern long hours in the office culture and how we're losing sight of the more important things in life (friendship and family). That might sound like modern Hollywood cheesiness but in truth such concepts were handled much more intelligently in those days and I didn't find myself cringeing once.

If you liked "It's a wonderful life" then you'll probably like this too. It's in that kind of vein.


Product Details/Specifications


Actor(s):
Mischa Auer
Jean Arthur
James Stewart
Edward Arnold
Lionel Barrymore

Creators:
Jean Arthur (Primary Contributor)
James Stewart (Primary Contributor)
Joseph Walker (Cinematographer)
Frank Capra (Producer)
Gene Havlick (Editor)
George S. Kaufman (Writer)
Moss Hart (Writer)
Robert Riskin (Writer)

Director(s):

Recording label: Sony Pictures Home Entertainment
Manufacturer: Sony Pictures Home Entertainment
EAN: 5035822139435
Binding: DVD
Number of items: 1
Format: Black & White, Full Screen, PAL,
Release date: 2003-02-24
Number of discs: 1
Aspect ratio: 1.33:1
Audience rating: Universal, suitable for all
Region code: 2
Running time: 121 minutes
Theatrical release date: 1938
Language: English (Original Language)
Language: Arabic (Subtitled)
Language: Czech (Subtitled)
Language: Danish (Subtitled)
Language: Dutch (Subtitled)
Language: English (Subtitled)
Language: Finnish (Subtitled)
Language: French (Subtitled)
Language: German (Subtitled)
Language: Greek (Subtitled)
Language: Hebrew (Subtitled)
Language: Hindi (Subtitled)
Language: Hungarian (Subtitled)
Language: Italian (Subtitled)
Language: Norwegian (Subtitled)
Language: Polish (Subtitled)
Language: Portuguese (Subtitled)
Language: Spanish (Subtitled)
Language: Swedish (Subtitled)
Language: Turkish (Subtitled)

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