Danny Aiello stars as Louis, a bookmaker who also owns the restaurant but is dismayed that, under the aegis of his son and autocratic master chef Udo (Edoardo Ballerini) the kitchen serves up trendy nouvelle cuisine in place of the simple, hearty fare of its former "Mom and Pop" days. But that's just one of his worries. Harassed waitresses, pretentious diners, Sandra Bernhard's loud and abrasive restaurant critic all add to the stressed, overheated atmosphere. Then there's sous-chef Duncan, Louis's younger son, thousands of dollars in debt to bookies, who's got mixed up with a couple of hoods from Queens, determined to muscle in on Louis's restaurant business and have already shot dead his partner by way of an opening salvo in the negotiations. They're among tonight's diners. And yet, much as ex-music video director Bob Giraldi beautifully orchestrates and intertwines this diverse and clashing set of stories and characters, so Louis exudes a certain quiet serenity that suggests that, despite the grease fires, tantrums, crises and strong-arming, everything¹s somehow going to turn out just fine. A minor but masterly piece of movie-making. On the DVD: Dinner Rush contains a good number of extras. These included a (somewhat disjointed) interview with director Bob Giraldi, himself owner of ten restaurants in New York, a "making of" feature which includes the usual mutual back-slapping between cast and production team (though in this case deserved) and, most appealingly, recipes for some of the tremblingly delicious culinary dishes served up in the film. --David Stubbs
Our Price: £3.47 (subject to change)
Editorial
Amazon.co.uk Review
Set in an elegant, but hectic, New York restaurant over the course of a highly eventful evening, Dinner Rush is a magnificent piece of ensemble playing--wholly satisfying from soup to nuts.
Bellisimo
Review date: 2006-04-03 Rating: 10 out of 10
If Martin Scorsese's Mean Streets was filmed post 2000, the result wouldn't have been a million miles away from Dinner Rush.
Both top of the class, character driven gangster movies which rely on the petty crimes and misdemeanours of street level hoods and loan sharks to build tension, whilst delivering realistic scripts using snappy dialogue. However, the painting clad walls of a pretentious TriBeCa restaurant are a far shout from the pool halls and dirty bars of the mean streets of Little Italy in the early 70s.
With the majority of the film set over the course of a night in a busy restaurant, Dinner Rush expertly reconstructs the contrast of the mayhem behind the scenes and the professionalism at the tables. This realism isn't harmed by the fact that the film was shot on location at one of the director's own eateries. One of many in fact! Clever cinematography adds to the effect as you see waiters and waitresses running up and down stairs to a backdrop of banging and hissing and shouting from the kitchen below.
At the centre of the film is a long term restauranteur (Louis) who has decided to part company with his restaurant and his illegitimate book-keeping operation. He is happy to see the back of the bookies, but is more reluctant to hand over the keys of his restaurant to his flashy son Udo, who has become famous through his wild inventions in the kitchen. Some of his dishes are almost as tall as his father who seems suitably unimpressed at the lack of tradition being served. He would much rather eat Duncan the sous-chef's sausages and meatballs anyday. Could it be that he is trying to steal Udo's father as well as his girlfriend?
The film is complimented by the introduction to a diverse variety of characters including an obnoxious art critic, a food critic and her flirtatious friend, a wall street singleton, a well read barman and a police detective but it is the two unwelcome criminals who cause us the biggest concern as they sit and enjoy their complimentary meals, offered as a gesture from Louis.
The action is scarce but there should be enough energy and rhythm to keep most popcorn munching blockbuster movie-goers happy. I have seen this film twice now (once on release and once on purchse a week ago) but I am glad that I bought it because I feel like I could go home and watch it again tonight.
Which leads me to the final comparison between Dinner Rush and Mean Streets. Like good music, they get better on every sitting.
Duncan's gambling puts the restaurant at risk. Lou is also a bookie and while he has cut Duncan off the kid has gone and found another bookie: the same one who had Lou's friend gunned down at the start of the movie. The competition (Mike McGlone)has shown up, sat down at a prime table, and informed Lou that they are not leaving until they have a partnership. Lou is not thrilled by the idea. Meanwhile, the restaurant is having a very busy night and Udo has already started firing people in the kitchen. This is going to be a long night.
Among those trying to eat in peace are a snobby art gallery owner (Mark Margolis) who is entertaining a visiting Greek artist and miffed that he had to wait 45 minutes for his table and a restaurant critic (Sandra Bernhard) who shows up in a disguise that fools no one. Watching the proceedings at the bar with a wry sense of detachment is Ken (John Corbett), where the bar tender apparently knows everything about anything. The waitress Marti (Summer Phoenix) and the maitresse 'd Nicole (Vivian Wu) are trying to keep everybody happy, but things are slowly building to a climax.
Aiello's character is the calm center of the storm and the question is how strong he really is when push comes to shove. Lou might seem like a gangster, but all he has his his restaurant, his book, his son and his friends. As he admits at one point, he has never held a real gun in his life, but in all that time nobody ever got killed. Now those days are over and his insistence that he will never give up the restaurant rings hollow.
Director Bob Giraldi made "Dinner Rush" in 21 days, but he had a big advantage since it was shot at his own restaurant, Gigino's. It has the look of a Robert Altman theme, but which much more of a sense of warmth and intimacy. He also covers the preparation of the meals in the kitchen with as much care and consideration as he gives his characters. Of course, once you find out that this film was shot in Giraldi's restaurant you are tempted to rethink "Dinner Rush" as a long commercial for the place. But getting to eat some of the food we see prepared and consumed in this film is not the worst of all possible fates and a good reason to put "Dinner Rush" on the menu with "Eat Drink Man Woman," "Like Water for Chocolate," "Babette's Feast" and other films that make you hungry, even if it does belong more with the appetizers than the entrées.
It is a hidden treasure, starring the guy who was born to play this character, the great Danny Aiello as restaurateur Louis Cropa. Louis has to contend with his ambitious son, who is demanding that his father relinquish control of the restaurant. And that's just the first course.....
Son Udo, darling of the glitterati, has transformed the old, traditional Italian menu into something wildly exotic and in Louis' opinion, inedible. BUT the young man HAS made the restaurant into the hottest thing in NY, so....forget about it! Then there's the mob, in the person of two thugs occupying a rear table, who want to muscle in on his old bookmaking racket; they've already shot his old partner. Not to mention his sous-chef, Duncan, who is a brilliantly creative chef in his own right, but who also happens to be a degenerate gambler. Guess who pays his gambling debts?
Some of the best things about the movie are the loving shots of the food being prepared, the balletic moves of the wait staff moving gracefully through the kitchen and up the stairs, and the dialogue between Aiello and the employees. There is a great series of scenes involving a horribly self-important, snobbish art critic who is peeved about having to wait so long for a table. And don't forget Sandra Bernhardt as a snotty, snobby food critic and her slinky dinner guest, known as the "Food Nymph"!
The ending is really cool, a big surprise.
The film was actually made at a restaurant, Gugino's, in NYC, owned by Bob Giraldi, who directed the film! And that's the name of the restaurant in the movie as well. It's obvious he knows food prep!
Gugino's is a five-star eatery, and Dinner Rush a five-star movie.