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Editorial
Amazon.co.uk Review
Clint Eastwood is Walt Coogan, a deputy sheriff from Arizona on the loose in the urban jungle of New York. Searching for a violent prisoner he has let slip ("It's got kinda personal now"), Coogan, in Stetson and cowboy boots, runs up against hippies, social workers and a bluntly hostile New York police chief played by Lee J. Cobb. It's a key film in the Eastwood oeuvre, the one in which his definitive persona first emerges, marrying the cool, laid-back westerner of the Rawhide TV series and the Italian westerns to the street-wise, kick-ass toughness which would be further developed in the Dirty Harryfilms. Directed by Eastwood's mentor, Don Siegel, Coogan's Bluff has pace, style and its share of typical Eastwood one-liners (to a hoodlum: "You better drop that blade or you won't believe what happens next"). Like all Eastwood's successful movies, it cunningly plays it both ways. Coogan represents the old-fashioned conservatism of the west in conflict with the decadence of city life. Yet he's the perennial outsider, hostile to authority, a radical loner who gets the job done where bureaucracy and legal niceties fail. The film was to be the inspiration behind the TV series McCloud, in which Dennis Weaver took the Eastwood role. --Edward Buscombe
Great film, very influential, very underrated
Review date: 2008-01-20 Rating: 10 out of 10
Not only does this film look forward to clint and Don's own dirty Harry films but bearing in mind this was 1968 the films influence on early 70's cinema is clear. The examples that spring to mind would be the hippie club scene being used in midnight cowboy a year later with all the same ambience (its uses of video projection, lighting). Also the overhead chase shots were ripped off by william friedkin for the french connection in 71, not to mention the poolhall scene bearing a striking resemblance to matin scorscese's mean streets in 73. I could go on but not wanting to bore you just keep in mind the films date when you watch it and how similar it is to so much that followed. Just because critics never mention this it doesnt mean its not true.
Influence aside the film is a classic clint performance. Its very funny, brilliantly shot and is a great timepeace for the era. Yes it's dated but thats what adds so much charm. there is a great use of symbolism, with clints almost kinky boots popping up everywhere and a nice use of the colour red. the jacket worn by Susan Clarke in the last shot is pure 'don't look now' . Im starting again.An exremely enjoyable, yet artistic, very funny, beautifully played film thats just so underrated its criminal. If only modern action thrillers were this stimulating.
PS can someone please release a high def DVD the picture is not great!
Clint plays a quiet spoken Deputy Sheriff from Arizona, Walt Coogan, who is sent over to New York to retreive a prisoner wanted in his state. However the man is in hospital and Coogan has to bluff him out so that he can take him back to Arizona without delay. On their way back to Arizona, Coogan is jumped on by some friends of the convict and he manages to escape into the concrete canyons of Manhattan. When the legal system fails him, Coogan is forced to employ his own unorthadox methods to find his prisoner.
As i have already said, Clint combines characteristics from 'the man with no name' and what would be 'Dirty Harry', adding the usual one-liners and a bit of extra comedy for good measure, and comes up with Walt Coogan a rural cop in the big city. Lee J. Cobb plays the solid Detective. Lt. McElroy who doesn't make life easy for Coogan. Susan Clark plays Julie Roth the probation officer whom Coogan falls for while in New York. Tisha Sterling plays Linny Raven, the drugged up girlfriend of the convict who Coogan is trying to catch. Finally, Don Stroud plays the convict himself, James Ringerman.
Also, during the scene in the nightclub, watch out for the big screen which is playing 'Tarantula', one of Clint very early films. One thing about the DVD itself though, is the fact that they didn't put any extras on at all, not even a trailer, which is a bit of a shame, but fans will still enjoy the film just as much, even though it may seem slightly dated in todays world.
Overall, 'Coogan's Bluff' is a nice little Clint film that seems to have been forgotton amongst classics like 'Dirty Harry', however fans of his should enjoy it tremendously, with plenty of action, punch-ups, pretty woman, chases, and of course the famous Clint one-liners that we all know and love.
The script is wonderfully entertaining and perfect for Clint Eastwoods 'less talk' method of acting, particularly on the plane coming into New York when a bussiness man sitting next to Coogan looking at his cowboy hat cheerfully asks;
Texas?
-Arizona.
Rancher?
-Nope, Deputy Sherriff.
Oh one of your boys step out of line in our fair city?
-Nope, one of yours in ours.
This is the general theme of the film as Coogan is constantly asked Texas?
-Arizona.
countless times this happens and it never becomes boring only better each time.
The film was directed by Don Siegel who collaborated with Clint on some of his best films and his level of class shows on this film, particularly in a pool hall fight.
A motorbike chase has a genuinely high level of excitement as Clint and Don Stroud race around a park on Triumph motorbikes.
Watch for the moment when you can see Clint laughing when he should'nt be and then mistakenly rides straight into a wall!
On the down side the film is seriously dated with the Flower Power Hippies used as the opposite for Clints cowboy and there is one very bad piece of editing when Clint meets the desk sergent which will probably leave you laughing. But all this can be forgiven because it was an early film in Clints career, and therefore over thirty years old, so technically a bit patchy but more than making up in entertainment value.
The best role Clints played other then 'The Man With No Name' and 'Dirty Harry' in fact a combination of both with a touch of humour thrown in.