The making of the movie was by all accounts a troubled experience for everybody concerned. Monroe, increasingly unreliable and exasperating, had an unsympathetic director in Laurence Olivier, also playing the Regent Charles, who hardly had the patience for a star of her mercurial talents with her own ideas of professional behaviour. His own performance as the Balkan royal is hammy and mannered and there isn't even a damp squib of sexual chemistry between them. Terence Rattigan's script, based on his successful play, is far too wordy and stage-bound. But somehow Monroe effervesces through all this adversity, aided considerably by British character actor Richard Wattis and the great Sybil Thorndyke, who became her ally during the difficult filming. Not vintage Marilyn but fascinating all the same, and she looks fantastic. On the DVD: The Prince and the Showgirl is presented in 4:3 with an occasionally muffled, apparently mono, soundtrack, giving this DVD a rather dusty quality which is in keeping with the vintage British 1950s production values. Extras include a cast list, original trailer and newsreel footage of the announcement that Marilyn was to make the film with Olivier, referred to at that stage as The Sleeping Prince. --Piers Ford
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Editorial
Amazon.co.uk Review
The Prince and the Showgirl (1957) was Marilyn Monroe's only British-made film and scores highly for curiosity value. There's something rather outrageous about this iconic American star playing a second-rate hoofer living in a theatrical boarding house in Brixton. Monroe herself is predictably good and touching as Elsie Marina, plucked from the chorus to entertain the Regent of Carpathia for the evening and ultimately smoothing his rough edges. There is, however, a rather uphill feeling all the way.
Editorial
DVD Description
DVD Special Features:
Announcement newsreel: "Marylin Starts a New Deal in Hollywood"
Theatrical Trailer
Screen Ratio: Widescreen 1.85:1
Audio: Mono
Editorial
Synopsis
Laurence Olivier is the Carpathian prince visiting England for the coronation of George V. Marilyn Monroe is Elsie Marina, an American actress doing a musical review at a nearby theater. When an old flame of the prince's turns out to be Elsie's boss at the theater, their paths cross--and Elsie's determined not to let them uncross. After the prince confirms her worst fear--that he's interested only in a quick seduction--she nonetheless finds herself falling for him. As his mother-in-law takes a shine to Elsie, she finds herself attending every official function of the coronation--to the chagrin of the prince and her jealous boss. The crusty prince must decide whether to let love into his duty-bound life, and Elsie must decide if happily-ever-after ever really comes true. Olivier shines in his dour, bumbling straight-man role, while Monroe is at her charming, luminous, naive best.
Dated fun
Review date: 2008-05-19 Rating: 6 out of 10
Yes, Monroe acts Olivier off the screen, but in some respects it's not surprising: Olivier was also the director and a one-take actor, and Monroe was legendarily capricious, requiring much coaching and many takes. What is seen in the film is Monroe finally getting it right while Olivier wilts from the countless retakes. It's also a slow moving, dated film, but again Monroe seems amazingly modern and truthful. It's really only worth it for her and Thorndike's performance, and puts a big dent in Olivier's reputation as a screen actor.
Marilyn's sophisticated comic talent dominates the film completely, making Oliver work hard to bring his wooden character to life. She sparkles as always, but with such detail in her performance, and as usual, such naturalness that it all seems too easy. Consequently some see a performance they call effortless and slight - but who else could make you believe in the wide-eyed wonder of the little starlet so completely that her emotional bewilderment in the middle of George V's Coronation in Westminster Abbey is totally involving and credible. Every little touch and look is beautifully observed and for those who admire her purely physical attributes - her ass should have won an Oscar for this one alone, as she wiggles and bends so seductively that that Edwardian obsession with sexual suggestion comes completely up to the present.
It is refreshing to see Marilyn in a period setting with beautiful clothes and jewels a plenty, and there are jokes a plenty too - of the Oscar Wilde, Drawing Room comedy sort - Sibyl Thorndike makes a splendidly dotty Dowager Queen to boot. Marilyn's character dominates the plot and proves again that in a chauvinist and class dominated world the beautiful woman can sometimes wield the real power if she knows how to. It is the perfect portrayal of her apparent childlike simplicity masking that wise human understanding -that is the essence if Marilyn's screen persona. Her character is far from dumb, and her fearlessness in the face of grandeur and snobbery is quietly heroic.
It is more Gigi than Some Like it Hot, but refreshingly romantic and glamorous and completely unique in Marilyn's oeuvre - well worth the view!