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Editorial
Amazon.co.uk Review
In this fast-paced, sci-fi/horror shoot-'em-up based on the Dark Horse comic book, Jamie Lee Curtis plays the navigator of an ocean-going tug. When a typhoon cripples their boat, the crew sails into the eye of the storm, where they discover a high-tech Russian communications and research vessel adrift. Only one Russian crewmember is still alive, raving about "intelligent lightning." They soon discover that an alien life form has taken over the ship's computers and is churning out biomechanical warriors. With their own boat destroyed, the crew must battle the creature as the ship reenters the storm. If the basic story and characters all sound familiar, it may not surprise you that producer Gale Anne Hurd's other films include The Terminator and Aliens. This movie and its derivative screenplay aren't nearly as good as those were, and director John Bruno (who won an Oscar for best visual effects for The Abyss) seems more skilled at action choreography and special effects than character and story. Curtis plays another variation on her "scream queen" persona, while Donald Sutherland gives a deliciously hammy performance as the tug captain (in his words, "the dominant life form") who smells salvage money if he can claim the Russian ship for his own. For all the picture's flaws, the effects are good (and gory) and it moves at top speed for a brisk 100 minutes. A trivia factoid: at one point on this troubled production, film footage was seized at the airport because the shipping box was prominently marked with the film's title! --Geoff Miller
A cosmic invasion can always be stopped, since H.G. Wells
Review date: 2007-07-20 Rating: 8 out of 10
Post Cold War science fiction. No more Soviets. The Russians are not dangerous and the Chinese are not yet in the picture, not to speak of the terrorists. So danger had to come from the sky, hence from the cosmos, hence some immaterial living form, at least immaterial according to our definition of matter. They just take over any kind of communications network and have at their disposal the whole sum of human knowledge, plus theirs, and they start spreading. They take over a Russian scientific boat and then recuperate anything, computer parts, mechanical parts and human parts, to build some hybrid beings that can take the control of the ship and then go to some human harbor and invade the planet. But it all goes wrong when some real human beings decide to use their intelligence and training to destroy these hybrid beings, the extraterrestrial cosmic being behind and sink the boat. And we are really after the end of the Cold War since it is the last female Russian survivor who will sacrifice herself to slow down the main "machine" so that the two last Americans will be able to escape while her sacrifice will start the setting on fire of the ship and the blowing of it up and down into the sea. A little bit simple, though quite entertaining if you like that kind of paranoid science fiction: the human species is always menaced, from inside or from outside, and it is always thanks to the sacrifice of some who use their intelligence and know how in a creative way that the planet and humanity are saved. Paranoid and naïve. And the final couple that escape the ship is of course a man and a woman. Adam and Eve not dead yet.
Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne
The trouble starts on Mir, as some sort of fast-moving cloud of energy takes over the space station and gets sent along for the ride down to a Russian scientific receiving vessel somewhere in the Pacific, where it puts on a light show to beat the band. Days later, a salvage boat led by the hopelessly annoying Captain Everton (Donald Sutherland in one of his lesser performances) tries to drag a barge through a hurricane; the boat makes it to the eye of the storm, where it discovers a large Russian ship dead in the water. The crews board the Russian vessel, finding no signs of the crew, and eyes start to widen at the thought of the money to be earned for salvaging this gigantic scientific ship. After they turn the power back on, they come to discover two life forms stowed away onboard, however. One of them is the ship's science officer Nadia Vinogradiya; the other is something not of this world. This alien life force needs electricity to function, and once the ship is powered back up it gets to work building all kinds of little robots who in turn build bigger robots, all of which work to destroy all humans on the vessel; in a nice little twist, man has become the virus to be eliminated. You can imagine what ensues. The humans fight to survive, giving the increasingly powerful alien life force a pretty good fight, even after their numbers start to dwindle and familiar faces in the form of Borg-like creatures turn their sights on the human intruders. I didn't care much for the ending, especially since all the wrong characters survived, but one British captain of another vessel delivers a classic six-line comment that did much to better my mood.
Virus is by no means a classic, but the film does deliver a suspenseful, pyrotechnic-laced good time. Jamie Lee Curtis in particular is put through the wringer, while Joanna Pacula is just terrific. I'm really not sure why many people hold this film in such low regard, as I found it both interesting and enjoyable. In my humble opinion, this is definitely an underrated motion picture.