None of the performances are more than competent and Lambert's aloof neurotic is perhaps less likable than was intended. Director Carl Schenkel is too fond of odd camera angles and garish lighting, but the end result is a moderately successful detective story for those who are fond of puzzles. On the DVD: Knight Moves is ungenerous with special features, providing a bare minimum of filmographies, photo gallery and trailer. It has a visual aspect ratio of 2.35:1 and Dolby Digital sound. --Roz Kaveney
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Editorial
Amazon.co.uk Review
Yet another serial killer drama, Knight Moves is perhaps a little too in love with its own ingenuity. Chess Grand Master Peter Sanderson (Christopher Lambert) finds himself, in the middle of a crucial tournament, challenged to a game whose rules he does not know, by a killer who will murder women until Sanderson stops him. The local police, headed by Sedman (Tom Skerrit), suspect this is actually a game Sanderson is playing with them; while Kathy, a woman profiler brought in on the case, finds herself falling in love with Sanderson but still suspecting him.
Inventive psychological thriller
Review date: 2006-06-13 Rating: 8 out of 10
This is a thoughtful take on a traditional serial killer theme, which is badly under-rated given it's low profile. Good film.
The chess theme pervades everything, but you don't need to be a chess player to appreciate this: if you understand it's a strategy game on a board you'll get it. It's a talke of twisted perversion and desire for revenge, and the inevitable cat and mouse chase to prove what's what.
Lambert is strong as the chess Grandmaster, and his strategist is a great supporting role. The story goes on in the minds of the characters (primarily Lambert's) as they try to unravel the story and second guess the opponent (like in chess).
Great story, well told, good film.
Years later, another chess tournament. Grand master Peter Sanderson (Christopher Lambert) is in attendance, making a surprise return after three years' retirement. He easily wins the first rounds. After dinner with daughter Erica (whose only parent he is) and a strategy session with his advisor, Sanderson concludes the evening with a few steamy hours with a sensuous blonde ... and the psychopath who will soon hold the community in thrall has found his first target. When the woman is found murdered, gruesomely dressed up in death and the word "Remember" written on the wall above her in blood, Sanderson initially denies having been with her. This, and his arrogant demeanor towards the policemen investigating the crime - particularly, Detective Andy Wagner (Daniel Baldwin) - makes him an instant suspect. But is Sanderson the psychopath? Or is he, as appearances would have it, the psychopath's true target?
In a grisly game of strategy in which a city is turned into a chess board and women living in the target areas of town (attractive blondes all of them) are the chess pieces, Sanderson and the police hunt a serial killer who always seems to be one step ahead of them. While Detective Wagner never loses his suspicion of Sanderson, his newly minted boss, Captain Frank Sedman (Tom Skerritt) reluctantly comes to the conclusion that since the clues provided by the killer are based on chess references and directed to none other than Sanderson himself, they will not be able to solve the case without his help. Yet, for a long time the grand master, too, seems unable to decipher the killer's clues, and the meaning of the words written above the dead body of each of his victims. - How many women will have to die before his identity is revealed? Will he ever be caught? Will psychologist Kathy Sheppard (Diane Lane), brought in by the police to determine if Sanderson himself fits their suspect's profile, end up as one of his victims?
"Knight Moves" is a suspenseful thriller, intelligently built on the patterns of the royal game of strategy itself, and in which the audience is kept on their toes until the very end. Christopher Lambert in particular is believable as the astute, arrogant Sanderson, who hides his personal fears and insecurities under a mask of unapproachability which only one person seems to be able to pierce - his daughter Erica. His face-offs with Daniel Baldwin alias Detective Wagner, sarcastic and spewing barely controlled rage at each other, are among the highlights of the movie; in addition, of course, to the mind game itself which the killer plays with his hunters and, by extension, with the audience. While it is clear that the solution has to have something to do with the fateful game played by those two boys so long ago, all elements of the story are only connected up in the final scenes ... which are, however, unfortunately somewhat overplayed and emphasize gore more than psychology and hence, are a bit of a let-down. This, and the relationship soon forming between Sanderson and Sheppard, which doesn't entirely work for me (strangely enough, since Lambert and Lane were married at the time) are the only detractors I find in this movie. Overall, however, "Knight Moves" would have deserved much more attention than it has received since its 1992 cinematic release.