Roy Scheider makes a brave and largely successful leap out of his usual romantic lead roles to step into Gideon's dancing pumps and supplies a plausible sketch of an extravagant, self-destructive, self-loathing creative dynamo, while Jessica Lange serves as a largely allegorical Muse, one of the various women that the philandering Gideon pursues (and usually abandons). Gideon's other romantic partners include Fosse's own protégé (and a major keeper of his choreographic style since his death) Ann Reinking, whose leggy grace is seductive both "onstage" and off. Fosse/Gideon's collision course with mortality, as well as his priapic obsession with the opposite sex, may offer insights into the libidinal core of the choreographer's dynamic, sexualised style of dance, but musical aficionados will be forgiven for fast-forwarding to cut out the self-analysis and focus on the music, period. At its best--as in the knockout opening, scored to George Benson's strutting version of "On Broadway", which fuses music, dance and dazzling camera work into a paean to Fosse's hoofer nation--All That Jazz offers a sequence of classic Fosse numbers--hard-edged, caustic and joyously physical. --Sam Sutherland
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Editorial
Amazon.co.uk Review
Choreographer-turned-director Bob Fosse turns the camera on himself in All That Jazz, a nervy, sometimes unnerving 1979 feature, a nakedly autobiographical piece that veers from gritty drama to razzle-dazzle musical, allegory to satire. It's an indication of his bravura, and possibly his self-absorption, that Fosse (who also co-wrote the script) literally opens alter ego Joe Gideon's heart in a key scene--an unflinching glimpse of cardiac surgery, shot during an actual open-heart procedure.
Disappointing
Review date: 2006-03-13 Rating: 4 out of 10
I love Bob Fosse’s work, but this movie was a disappointment. The dance numbers are OK, but the storyline is dull and pretentious. Essentially it seems to be a movie about Fosse made for Fosse with little thought for the audience.
The plot, such as it is, revolves around a character assumed to be Fosse (played by Roy Scheider) and his attempts to put on a musical while he struggles for ideas, copes with his own deteriorating health and tries to maintain a relationship with his ex-wife and daughter. There are a lot of flashbacks to his earlier career as well as many dream sequences and hallucinations. It is fairly surreal at times, especially the ending, but it proceeds coherently enough to keep you interested and involved.
The dancing, as you would expect, is great although there aren't many numbers as such. I don't know if it is an accurate depiction of Fosse's life but he comes across as a bit of a tartar. The features are limited to a trailer and a couple of brief, making-of clips. Nothing much, to be honest.
All in all, I liked it a lot but don't expect it to be anything like a stage musical with a strong story or happy ending.
The raunchy dance scenes are a cut above any new muscial movies.
The production is brilliant and the phrase -"Bring on the dancing girls" (...) is now the common medical phrase used in my profession!
This is a classic film which so many have tried to emulate, mostly failing. It has to be seen to be believed - but you need some imagaination to see the plot; because it has a very clear message and good story line, not just an excuse to have girls dancing as in other movies.
Now converted to DVD for the popular market.
Get it and marvel.
The raunchy dance scenes are a cut above any new muscial movies.
The production is brilliant and the phrase -"Bring on the dancing girls" before Roy dies is now the common medical phrase used in my profession!
This is a classic film which so many have tried to emulate, mostly failing. It has to be seen to be believed - but you need some imagaination to see the plot; because it has a very clear message and good story line, not just an excuse to have girls dancing as in other movies.
Needs to be converted to DVD for the popular market, but at this price the cassette is very affordable. Get it and marvel.
CjW