Set in the offices of a fictional Slough paper merchant, The Office is filmed in the style of a reality television programme. The writing is subtle and deft, the acting wonderful and the characters beautifully drawn: the cadaverous team leader Gareth, a paradigm of Andy McNab's readership; the monstrous sales rep, Chris Finch; and the decent but long-suffering everyman Tim, whose ambition and imagination have been crushed out of him by the banality of the life he dreams uselessly of escaping. The show is stolen, as it was intended to be, by insufferable office manager David Brent, played by cowriter Ricky Gervais. Brent will become a name as emblematic for a particular kind of British grotesque as Alan Partridge or Basil Fawlty, but he is a deeper character than either. Partridge and Fawlty are exaggerations of reality, and therefore safely comic figures. Brent is as appalling as only reality can be. --Andrew Mueller On the DVD The Office, Series 1 is tastefully packaged as a two-disc set appropriately adorned with John Betjeman's poem "Slough". The special features occupy the second disc and consist of a laid-back 39-minute documentary entitled "How I Made The Office by Ricky Gervais", with co-writer Stephen Merchant and the cast contributing. Here we discover that Gervais spends his time on set "mucking around and annoying people", and that actress Lucy Davis (Dawn) is the daughter of Jasper Carrott; as well as seeing parts of the original short film and the original BBC pilot episode; plus we get to enjoy many examples of the cast corpsing throughout endless retakes. There are also a handful of deleted scenes, none of which were deleted because they weren't funny. --Mark Walker
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Editorial
Amazon.co.uk Review
It feels both inaccurate and inadequate to describe The Office as a comedy. On a superficial level, it disdains all the conventions of television sitcoms: there are no punch lines, no jokes, no laugh tracks and no cute happy endings. More profoundly, it's not what we're used to thinking of as funny. Most of the fervently devoted fan base that the programme acquired watched with a discomfortingly thrilling combination of identification and mortification. The paradox is that its best moments are almost physically unwatchable.
Get it?
Review date: 2008-06-26 Rating: 10 out of 10
Some people still don't get this. I'm amazed how many people still give me that perplexed glare when I compare the genius of `The Office' with that `Faulty Towers'. `The Office?' they say, as if their long-standing respect for my opinion is suddenly in jeopardy, `but why is it funny? It's just people in an office'. An worthy reflection and précis, no doubt! I'm increasing convinced that people just don't WANT to get it! People just don't want to give undivided attention, absorb every aspect, and conclude for themselves (.e., without the assistance of a studio audience or laughter track) precisely what is and is not funny. Yes, the lack of a `laughter prompt' is a hindrance for some. I can't help but wonder how many past sitcoms would have been so superior if the laughter track been dropped: `I'm Alan Partridge', `Father Ted', `The Young Ones'..... but the dim reality is that they would not have been half as successful!
Thankfully, Merchant and Gervais managed it! In fact, they used this concept to attract the audience they desired: an audience who appreciated their art. Indeed, in this fast-paced day and age, many simply do not have the time they wish to emerge themselves in book, classics and culture, but are completely aggravated with the monotonous so-called entertainment that the `box' offers.
`The Office', in this sense, is perfect! That is not to say that it is for the elite. Actually, I fail to comprehend what is NOT to get or what is NOT funny. Gervais sets up the exasperatingly over-confident tactless idiocy of character David Brent right from the opening shot. As Brent interviews and promises to employ someone who is plainly under-qualified for a job as forklift diver, he `bigs up' the candidate to Sammy (who gives jobs in the warehouse) complete with fibs, comical hand gestures, and knowing glances at the candidate and camera that are the staple traits of this main character. The complex relationship between Tim (Martin Freeman) and Dawn (Lucy Davis) is performed outstandingly by the actors and produces the main thread of the plot that links all the episodes. In turn, their light-hearted harassment of Team Leader Garrath (Mackenzie Crook) is also great entertainment for the viewer. The highlight of the series is probably episode 4, when an outside trainer visits the team for a day's workshop. Having an outsider among the chaos enforces the ridiculousness and unprofessional nature of the whole set up, and what a real fool Brent really is, as his reaction to potentially being slightly out of control is played brilliantly by Gervais.
So, some people cannot understand what IS funny about `The Office', personally, I simply cannot see what IS NOT funny about it. Pure genius in fact.