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Synopsis
Banned in Iran, Jafar Panahi's THE CIRCLE is set almost entirely on the busy streets of Tehran - a place where women are restricted by numerous laws, including a repressive dress code, and can only travel accompanied by a man. The beginning of the film focuses on two women, Arezou (Mariam Palvin Almani) and Nargess (Nargess Mamizadeh), who have been given temporary leave from prison and have no intension of returning. They attempt to flee to Nargess's hometown, which she claims is as beautiful as a Van Gogh painting, but are deterred by police. Meanwhile, their friend Pari (Fereshteh Sadr Orfani), who has just escaped from jail, is pregnant and needs an abortion. Panahi's lens continues to shift from one woman to another as this eye-opening tale circles back on itself. More serious in tone than the director's brilliant, lighthearted debut, THE WHITE BALLOON, THE CIRCLE shares many of its technical and narrative flourishes, making it another example of Iranian cinema at its best and most politically aware.
A must-have-seen film
Review date: 2007-10-21 Rating: 10 out of 10
"Dayereh" - the original title - is an iranian film, which doesn't need trivial propaganda like "Not Without My Daughter" for explaining of the real situation of women in Iran. Panahi tells 5 stories about women, whose lives run in different directions, but which however are somehow connected with each other. These are women in a world without rights and there is no way for self-determination.
Jafar Panahi created a masterpiece, which won the Golden Lion in Venice 2000.
The film begins at the birth of a baby girl to the daughter of a woman who realizes that this will be cause for divorce - her daughter's in-laws were expecting a boy. From that point, the camera follows several other women (played by actresses U.S. audiences have never heard of) around the streets of an ostensibly Iranian city, one's story leading into that of the next. Each is trying to do something without the permission or accompaniment of a man or the proper identification papers, such as journey to another city, have an abortion, or travel alone at night by taxi. This makes them outcasts furtively slinking about their business, subject to arrest and imprisonment. Even chewing gum or smoking in public is cause for rebuke by the authorities. Their plight is contrasted with the relative freedom of the males in their society. For these women, there's no joy, or laughter, or any facet of what would otherwise be considered a normal life outside of the Third World. The message is clear - life is wretched for the unmarried and unsupervised woman.
There's no nudity, profanity or violence in THE CIRCLE. Yet, as I understand it, the film was banned in Iran. It's a bleak presentation, and, I'm afraid, perhaps boring if you're not being shown something you don't already know. But, if you're so inclined out of curiosity about the world around you, give it a look, and then give thanks for your great good fortune for living in the West - especially if you're a feminist.